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Hope and wish image in music technology
~
Rando, David P.
Hope and wish image in music technology
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Hope and wish image in music technology/ by David P. Rando.
作者:
Rando, David P.
出版者:
Cham :Springer International Publishing : : 2017.,
面頁冊數:
xvi, 191 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
標題:
Music - Technological innovations -
電子資源:
http://dx.doi.org/10.1007/978-3-319-34015-9
ISBN:
9783319340159
Hope and wish image in music technology
Rando, David P.
Hope and wish image in music technology
[electronic resource] /by David P. Rando. - Cham :Springer International Publishing :2017. - xvi, 191 p. :ill., digital ;24 cm.
This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writings of Ernst Bloch and Walter Benjamin, the book examines file sharing technologies, streaming services, and media players, as well as their historical antecedents, such as the player piano, cassette tape, radio and compact disc, alongside interpretations of fiction, memoir, and albums. Through the concept of wish images--the unconscious hopes and desires for social alternatives that gather around new technologies--the book identifies the repressed pre- and post-capitalist urges that attend our music technologies. While these desires typically remain unconscious and tend to pass away not only unmet but also unrecognized, Hope and Wish Image in Music Technology attempts to bring wishes for social alternatives to the surface at an auspicious moment of technological transition.
ISBN: 9783319340159
Standard No.: 10.1007/978-3-319-34015-9doiSubjects--Topical Terms:
1248903
Music
--Technological innovations
LC Class. No.: ML74 / .R36 2017
Dewey Class. No.: 306.4842
Hope and wish image in music technology
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This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writings of Ernst Bloch and Walter Benjamin, the book examines file sharing technologies, streaming services, and media players, as well as their historical antecedents, such as the player piano, cassette tape, radio and compact disc, alongside interpretations of fiction, memoir, and albums. Through the concept of wish images--the unconscious hopes and desires for social alternatives that gather around new technologies--the book identifies the repressed pre- and post-capitalist urges that attend our music technologies. While these desires typically remain unconscious and tend to pass away not only unmet but also unrecognized, Hope and Wish Image in Music Technology attempts to bring wishes for social alternatives to the surface at an auspicious moment of technological transition.
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