國立虎尾科技大學 |

Sounds, societies, significations = numanistic approaches to music /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Sounds, societies, significations/ edited by Rima Povilioniene.
其他題名:	numanistic approaches to music /
其他作者:	Povilioniene, Rima.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xiv, 240 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Music - Mathematics. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-47060-3
ISBN:	9783319470603

Sounds, societies, significations = numanistic approaches to music /
Sounds, societies, significationsnumanistic approaches to music /[electronic resource] :edited by Rima Povilioniene. - Cham :Springer International Publishing :2017. - xiv, 240 p. :ill., digital ;24 cm. - Numanities - arts and humanities in progress,v.22510-442X ;. - Numanities - arts and humanities in progress ;v.1..

This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the "popstar" as fashion leader, spokesman for political issues, etc.) Depending on the type of society, music may have a certain "meaning" or "function" (music does not mean the same thing everywhere in the world) Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment. Case-studies in this work provide visibility for musical cultures that are rarely exposed in the dominant musicological discourse. Several contributions combine musicological analysis with "insider-musician" points of view. Some essays in the collection address the cultural clash between certain types of music/musicians and the respective institutional counterparts, while certain contributing authors draw on experimental research findings. Throughout this book we see how musics are socially significant, and - at the same time - that societies are musically significant too. Thus the book will appeal to musicologists, cultural scholars and semioticians, amongst others.

ISBN: 9783319470603

Standard No.: 10.1007/978-3-319-47060-3doiSubjects--Topical Terms:

1102253
Music
--Mathematics.

LC Class. No.: ML3800 / .S68 2017

Dewey Class. No.: 780.051

Sounds, societies, significations = numanistic approaches to music /
LDR:02736nam a2200325 a 4500 001 958342
003 DE-He213
005 20170808145607.0
006 m d
007 cr nn 008maaau
008 201118s2017 gw s 0 eng d
020 $a 9783319470603 $q (electronic bk.)
020 $a 9783319470597 $q (paper)
024 7 $a 10.1007/978-3-319-47060-3 $2 doi
035 $a 978-3-319-47060-3
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3800 $b .S68 2017
072 7 $a JNU $2 bicssc
072 7 $a A $2 bicssc
072 7 $a EDU029050 $2 bisacsh
082 0 4 $a 780.051 $2 23
090 $a ML3800 $b .S724 2017
245 0 0 $a Sounds, societies, significations $h [electronic resource] : $b numanistic approaches to music / $c edited by Rima Povilioniene.
260 $a Cham : $c 2017. $b Springer International Publishing : $b Imprint: Springer,
300 $a xiv, 240 p. : $b ill., digital ; $c 24 cm.
490 1 $a Numanities - arts and humanities in progress, $x 2510-442X ; $v v.2
520 $a This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the "popstar" as fashion leader, spokesman for political issues, etc.) Depending on the type of society, music may have a certain "meaning" or "function" (music does not mean the same thing everywhere in the world) Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment. Case-studies in this work provide visibility for musical cultures that are rarely exposed in the dominant musicological discourse. Several contributions combine musicological analysis with "insider-musician" points of view. Some essays in the collection address the cultural clash between certain types of music/musicians and the respective institutional counterparts, while certain contributing authors draw on experimental research findings. Throughout this book we see how musics are socially significant, and - at the same time - that societies are musically significant too. Thus the book will appeal to musicologists, cultural scholars and semioticians, amongst others.
650 0 $a Music $x Mathematics. $3 1102253
650 0 $a Music $x Philosophy and aesthetics. $3 557218
650 0 $a Symbolism of numbers in music. $3 1250463
650 1 4 $a Education. $3 555912
650 2 4 $a Creativity and Arts Education. $3 1113649
650 2 4 $a Music. $3 649088
650 2 4 $a Cultural Heritage. $3 678513
650 2 4 $a Semiotics. $3 559892
700 1 $a Povilioniene, Rima. $3 1227366
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Numanities - arts and humanities in progress ; $v v.1. $3 1115149
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-47060-3
950 $a Education (Springer-41171)