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The culture industry and participatory audiences

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The culture industry and participatory audiences/ by Emma Keltie.
作者:	Emma, Keltie.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	ix, 152 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Mass media and culture. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-49028-1
ISBN:	9783319490281

The culture industry and participatory audiences
Emma, Keltie.

The culture industry and participatory audiences[electronic resource] /by Emma Keltie. - Cham :Springer International Publishing :2017. - ix, 152 p. :ill., digital ;24 cm.

1. Introduction -- 2. The Culture Industry and Audience Agency -- 3. Agency in Practice: A Participatory Utopia -- 4. Fans: A Long History of Participation -- 5. Producing Culture: Australian Media and Creative Policy -- 6. Participation in Practice -- 7. Authorised Participation.

This work offers a discussion of participatory culture as a disruption to the previously held dominance of the culture industry, while also exploring the tensions created in this emerging media landscape through analysis and examination of the current Australian media policy, regulation, and content distribution landscape. The text argues that the culture industry colonises participatory cultural practices and absorbs them into the practices of the industry, to reveal that what emerges from this colonisation is an audience that misrecognises their agency as participants in the production of culture. The discourse surrounding participatory culture positions the audience as active in cultural production and falsely emancipates them as consumers, with little acknowledgement of the exploitation of labour that is occurring. Keltie exposes how, as the culture industry folds participatory practices back into its own industry practices, audience participation, in effect, becomes authorised by the culture industry.

ISBN: 9783319490281

Standard No.: 10.1007/978-3-319-49028-1doiSubjects--Topical Terms:

561505
Mass media and culture.

LC Class. No.: P94.6 / .E46 2017

Dewey Class. No.: 302.23

The culture industry and participatory audiences
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520 $a This work offers a discussion of participatory culture as a disruption to the previously held dominance of the culture industry, while also exploring the tensions created in this emerging media landscape through analysis and examination of the current Australian media policy, regulation, and content distribution landscape. The text argues that the culture industry colonises participatory cultural practices and absorbs them into the practices of the industry, to reveal that what emerges from this colonisation is an audience that misrecognises their agency as participants in the production of culture. The discourse surrounding participatory culture positions the audience as active in cultural production and falsely emancipates them as consumers, with little acknowledgement of the exploitation of labour that is occurring. Keltie exposes how, as the culture industry folds participatory practices back into its own industry practices, audience participation, in effect, becomes authorised by the culture industry.
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