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Video structure meaning /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Video structure meaning // Brian C. O'Connor and Richard L. Anderson.
Author:	O'Connor, Brian Clark,
other author:	Anderson, Richard L.,
Description:	1 PDF (xix, 79 pages) :illustrations (some color). :
Notes:	Part of: Synthesis digital library of engineering and computer science.
Subject:	Motion pictures - Psychological aspects. -
Online resource:	https://doi.org/10.2200/S00945ED1V01Y201908ICR068
Online resource:	https://ieeexplore.ieee.org/servlet/opac?bknumber=8860080
ISBN:	9781681736488

Video structure meaning /
O'Connor, Brian Clark,

Video structure meaning /Brian C. O'Connor and Richard L. Anderson. - 1 PDF (xix, 79 pages) :illustrations (some color). - Synthesis lectures on information concepts, retrieval, and services ;#681947-9468 ;. - Synthesis digital library of engineering and computer science..

Part of: Synthesis digital library of engineering and computer science.

Includes bibliographical references (pages 75-78).

1. Introduction -- 1.1. Trailer : movies as structured collections of photographs -- 1.2. Origin stories

Abstract freely available; full-text restricted to subscribers or individual document purchasers.

Compendex

For over a century, motion pictures have entertained us, occasionally educated us, and even served a few specialized fields of study. Now, however, with the precipitous drop in prices and increase in image quality, motion pictures are as widespread as paperback books and postcards once were. Yet, theories and practices of analysis for particular genres and analytical stances, definitions, concepts, and tools that span platforms have been wanting. Therefore, we developed a suite of tools to enable close structural analysis of the time-varying signal set of a movie. We take an information-theoretic approach (message is a signal set) generated (coded) under various antecedents (sent over some channel) decoded under some other set of antecedents. Cultural, technical, and personal antecedents might favor certain message-making systems over others. The same holds true at the recipient end--yet, the signal set remains the signal set. In order to discover how movies work--their structure and meaning--we honed ways to provide pixel level analysis, forms of clustering, and precise descriptions of what parts of a signal influence viewer behavior. We assert that analysis of the signal set across the evolution of film--from Edison to Hollywood to Brakhage to cats on social media--yields a common ontology with instantiations (responses to changes in coding and decoding antecedents).

Mode of access: World Wide Web.

ISBN: 9781681736488

Standard No.: 10.2200/S00945ED1V01Y201908ICR068doiSubjects--Topical Terms:

559815
Motion pictures
--Psychological aspects.Subjects--Index Terms:

computational film analysis

LC Class. No.: PN1995 / .O368 2019eb

Dewey Class. No.: 791.4301

Video structure meaning /
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020 $z 9781681736495 $q hardcover
020 $z 9781681736471 $q paperback
024 7 $a 10.2200/S00945ED1V01Y201908ICR068 $2 doi
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100 1 $a O'Connor, Brian Clark, $e author. $3 1253136
245 1 0 $a Video structure meaning / $c Brian C. O'Connor and Richard L. Anderson.
264 1 $a [San Rafael, California] : $b Morgan & Claypool, $c [2019]
300 $a 1 PDF (xix, 79 pages) : $b illustrations (some color).
336 $a text $2 rdacontent
337 $a electronic $2 isbdmedia
338 $a online resource $2 rdacarrier
490 1 $a Synthesis lectures on information concepts, retrieval, and services ; $x 1947-9468 ; $v #68
500 $a Part of: Synthesis digital library of engineering and computer science.
504 $a Includes bibliographical references (pages 75-78).
505 0 $a 1. Introduction -- 1.1. Trailer : movies as structured collections of photographs -- 1.2. Origin stories
505 8 $a 2. Five stories to a model of video structure -- 2.1. Story one : mirror with a memory -- 2.2. Story two : first steps -- 2.3. Story three : key frames -- 2.4. Story four : functional ontology -- 2.5. Story five : what makes a movie and why does it matter?
505 8 $a 3. Coda : provocations on filmic retrieval, hunting, meandering, and browsing -- 3.1. How are we to find and make sense of filmic documents? -- 3.2. What then of moving image documents? -- 3.3. Way points for hunting, browsing, and meandering -- 3.4. Provocations -- 3.5. Author-message-recipient relation -- 3.6. Additional thoughts.
506 $a Abstract freely available; full-text restricted to subscribers or individual document purchasers.
510 0 $a Compendex
510 0 $a INSPEC
510 0 $a Google scholar
510 0 $a Google book search
520 $a For over a century, motion pictures have entertained us, occasionally educated us, and even served a few specialized fields of study. Now, however, with the precipitous drop in prices and increase in image quality, motion pictures are as widespread as paperback books and postcards once were. Yet, theories and practices of analysis for particular genres and analytical stances, definitions, concepts, and tools that span platforms have been wanting. Therefore, we developed a suite of tools to enable close structural analysis of the time-varying signal set of a movie. We take an information-theoretic approach (message is a signal set) generated (coded) under various antecedents (sent over some channel) decoded under some other set of antecedents. Cultural, technical, and personal antecedents might favor certain message-making systems over others. The same holds true at the recipient end--yet, the signal set remains the signal set. In order to discover how movies work--their structure and meaning--we honed ways to provide pixel level analysis, forms of clustering, and precise descriptions of what parts of a signal influence viewer behavior. We assert that analysis of the signal set across the evolution of film--from Edison to Hollywood to Brakhage to cats on social media--yields a common ontology with instantiations (responses to changes in coding and decoding antecedents).
530 $a Also available in print.
538 $a Mode of access: World Wide Web.
538 $a System requirements: Adobe Acrobat Reader.
588 $a Title from PDF title page (viewed on October 27, 2019).
650 0 $a Motion pictures $x Psychological aspects. $3 559815
650 0 $a Visual perception. $3 555795
650 0 $a Ontologies (Information retrieval) $3 567469
653 $a computational film analysis
653 $a video structure
653 $a functional ontology
653 $a photons in and out
700 1 $a Anderson, Richard L., $d 1970- $e author. $3 1253137
776 0 8 $i Print version: $z 9781681736495 $z 9781681736471
830 0 $a Synthesis digital library of engineering and computer science. $3 598254
830 0 $a Synthesis lectures on information concepts, retrieval, and services ; $v #22. $3 866817
856 4 0 $3 Abstract with links to full text $u https://doi.org/10.2200/S00945ED1V01Y201908ICR068
856 4 2 $3 Abstract with links to resource $u https://ieeexplore.ieee.org/servlet/opac?bknumber=8860080