語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The Age of Figurative Theo-humanism ...
~
Cirulli, Franco.
The Age of Figurative Theo-humanism = The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Age of Figurative Theo-humanism/ by Franco Cirulli.
其他題名:
The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) /
作者:
Cirulli, Franco.
面頁冊數:
XVIII, 191 p. 17 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Religion—Philosophy. -
電子資源:
https://doi.org/10.1007/978-3-319-10000-5
ISBN:
9783319100005
The Age of Figurative Theo-humanism = The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) /
Cirulli, Franco.
The Age of Figurative Theo-humanism
The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) /[electronic resource] :by Franco Cirulli. - 1st ed. 2015. - XVIII, 191 p. 17 illus. in color.online resource. - Boston Studies in Philosophy, Religion and Public Life,32352-8206 ;. - Boston Studies in Philosophy, Religion and Public Life,3.
Preface -- Introduction -- I. Winckelmann: The Responsibility of Aesthetic Response -- II. Hemsterhuis and Herder: Sculptural Theo-humanism -- III. Moritz, Wackenroder, Schelling: Tragic Theo-aesthetics -- IV. The Jena Circle and Hegel: The Modernity of Painting -- V. Conclusion.
This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an “Aesthetics of Figurative Theo humanism”. It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self’s exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called “Modern Grand Narrative of the Arts” is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into “Art” what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment—far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics (philosophers of art, theology, or religion) will find this book of great interest and assistance.
ISBN: 9783319100005
Standard No.: 10.1007/978-3-319-10000-5doiSubjects--Topical Terms:
1253708
Religion—Philosophy.
LC Class. No.: BL51
Dewey Class. No.: 210
The Age of Figurative Theo-humanism = The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) /
LDR
:03589nam a22004095i 4500
001
967694
003
DE-He213
005
20200920132456.0
007
cr nn 008mamaa
008
201211s2015 gw | s |||| 0|eng d
020
$a
9783319100005
$9
978-3-319-10000-5
024
7
$a
10.1007/978-3-319-10000-5
$2
doi
035
$a
978-3-319-10000-5
050
4
$a
BL51
072
7
$a
HRAB
$2
bicssc
072
7
$a
PHI022000
$2
bisacsh
072
7
$a
QRAB
$2
thema
082
0 4
$a
210
$2
23
100
1
$a
Cirulli, Franco.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1263349
245
1 4
$a
The Age of Figurative Theo-humanism
$h
[electronic resource] :
$b
The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) /
$c
by Franco Cirulli.
250
$a
1st ed. 2015.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Springer,
$c
2015.
300
$a
XVIII, 191 p. 17 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Boston Studies in Philosophy, Religion and Public Life,
$x
2352-8206 ;
$v
3
505
0
$a
Preface -- Introduction -- I. Winckelmann: The Responsibility of Aesthetic Response -- II. Hemsterhuis and Herder: Sculptural Theo-humanism -- III. Moritz, Wackenroder, Schelling: Tragic Theo-aesthetics -- IV. The Jena Circle and Hegel: The Modernity of Painting -- V. Conclusion.
520
$a
This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an “Aesthetics of Figurative Theo humanism”. It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self’s exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called “Modern Grand Narrative of the Arts” is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into “Art” what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment—far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics (philosophers of art, theology, or religion) will find this book of great interest and assistance.
650
0
$a
Religion—Philosophy.
$3
1253708
650
0
$a
Aesthetics.
$3
555008
650
0
$a
Fine arts.
$3
1112523
650
1 4
$a
Philosophy of Religion.
$3
671576
650
2 4
$a
Fine Arts.
$3
668337
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783319100012
776
0 8
$i
Printed edition:
$z
9783319099996
776
0 8
$i
Printed edition:
$z
9783319361369
830
0
$a
Boston Studies in Philosophy, Religion and Public Life,
$x
2352-8206 ;
$v
3
$3
1263350
856
4 0
$u
https://doi.org/10.1007/978-3-319-10000-5
912
$a
ZDB-2-SHU
912
$a
ZDB-2-SXPR
950
$a
Humanities, Social Sciences and Law (SpringerNature-11648)
950
$a
Philosophy and Religion (R0) (SpringerNature-43725)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入