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Ben Jonson, John Marston and Early M...
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SpringerLink (Online service)
Ben Jonson, John Marston and Early Modern Drama = Satire and the Audience /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Ben Jonson, John Marston and Early Modern Drama/ by Rebecca Yearling.
Reminder of title:
Satire and the Audience /
Author:
Yearling, Rebecca.
Description:
IX, 223 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature, Modern. -
Online resource:
https://doi.org/10.1007/978-1-137-56399-6
ISBN:
9781137563996
Ben Jonson, John Marston and Early Modern Drama = Satire and the Audience /
Yearling, Rebecca.
Ben Jonson, John Marston and Early Modern Drama
Satire and the Audience /[electronic resource] :by Rebecca Yearling. - 1st ed. 2016. - IX, 223 p.online resource.
This book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague Ben Jonson. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston's plays represent an experiment in a new kind of satiric drama, with origins in the humanist tradition of serio ludere. His works—deliberately unpredictable, inconsistent and metatheatrical—subvert theatrical conventions and provide confusingly multiple perspectives on the action, forcing their spectators to engage actively with the drama and the moral dilemmas that it presents. The book argues that Marston's work thus anticipates and perhaps influenced the mid-period work of Ben Jonson, in plays such as Sejanus, Volpone and The Alchemist.
ISBN: 9781137563996
Standard No.: 10.1007/978-1-137-56399-6doiSubjects--Topical Terms:
685063
Literature, Modern.
LC Class. No.: PN715-749
Dewey Class. No.: 809
Ben Jonson, John Marston and Early Modern Drama = Satire and the Audience /
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This book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague Ben Jonson. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston's plays represent an experiment in a new kind of satiric drama, with origins in the humanist tradition of serio ludere. His works—deliberately unpredictable, inconsistent and metatheatrical—subvert theatrical conventions and provide confusingly multiple perspectives on the action, forcing their spectators to engage actively with the drama and the moral dilemmas that it presents. The book argues that Marston's work thus anticipates and perhaps influenced the mid-period work of Ben Jonson, in plays such as Sejanus, Volpone and The Alchemist.
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