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Intersecting Film, Music, and Queerness

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Intersecting Film, Music, and Queerness/ by Jack Curtis Dubowsky.
Author:	Dubowsky, Jack Curtis.
Description:	VIII, 266 p.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion pictures—History. -
Online resource:	https://doi.org/10.1057/9781137454218
ISBN:	9781137454218

Intersecting Film, Music, and Queerness
Dubowsky, Jack Curtis.

Intersecting Film, Music, and Queerness[electronic resource] /by Jack Curtis Dubowsky. - 1st ed. 2016. - VIII, 266 p.online resource. - Palgrave Studies in Audio-Visual Culture,2634-6354. - Palgrave Studies in Audio-Visual Culture,.

Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.

ISBN: 9781137454218

Standard No.: 10.1057/9781137454218doiSubjects--Topical Terms:

1254173
Motion pictures—History.

LC Class. No.: PN1993.5

Dewey Class. No.: 791.4309

Intersecting Film, Music, and Queerness
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