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The Economics of the Popular Music I...
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SpringerLink (Online service)
The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Economics of the Popular Music Industry/ by C. Byun.
Reminder of title:
Modelling from Microeconomic Theory and Industrial Organization /
Author:
Byun, C.
Description:
VIII, 128 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Microeconomics. -
Online resource:
https://doi.org/10.1057/9781137467058
ISBN:
9781137467058
The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
Byun, C.
The Economics of the Popular Music Industry
Modelling from Microeconomic Theory and Industrial Organization /[electronic resource] :by C. Byun. - 1st ed. 2016. - VIII, 128 p.online resource.
This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
ISBN: 9781137467058
Standard No.: 10.1057/9781137467058doiSubjects--Topical Terms:
565210
Microeconomics.
LC Class. No.: HB172
Dewey Class. No.: 338.5
The Economics of the Popular Music Industry = Modelling from Microeconomic Theory and Industrial Organization /
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This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
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