國立虎尾科技大學 |

Popular Music Scenes and Cultural Memory

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Popular Music Scenes and Cultural Memory/ by Andy Bennett, Ian Rogers.
Author:	Bennett, Andy.
other author:	Rogers, Ian.
Description:	X, 206 p.online resource. :
Contained By:	Springer Nature eBook
Subject:	Culture—Study and teaching. -
Online resource:	https://doi.org/10.1057/978-1-137-40204-2
ISBN:	9781137402042

Popular Music Scenes and Cultural Memory
Bennett, Andy.

Popular Music Scenes and Cultural Memory[electronic resource] /by Andy Bennett, Ian Rogers. - 1st ed. 2016. - X, 206 p.online resource. - Pop Music, Culture and Identity,2634-6613. - Pop Music, Culture and Identity,.

Introduction: Scenes and memory -- Part I: Concepts -- 1.Scene ‘theory’: History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes .

This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally. .

ISBN: 9781137402042

Standard No.: 10.1057/978-1-137-40204-2doiSubjects--Topical Terms:

1253505
Culture—Study and teaching.

LC Class. No.: HM623

Dewey Class. No.: 306.01

Popular Music Scenes and Cultural Memory
LDR:02868nam a22004095i 4500 001 975645
003 DE-He213
005 20200930190702.0
007 cr nn 008mamaa
008 201211s2016 xxk| s |||| 0|eng d
020 $a 9781137402042 $9 978-1-137-40204-2
024 7 $a 10.1057/978-1-137-40204-2 $2 doi
035 $a 978-1-137-40204-2
050 4 $a HM623
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 306.01 $2 23
100 1 $a Bennett, Andy. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1115641
245 1 0 $a Popular Music Scenes and Cultural Memory $h [electronic resource] / $c by Andy Bennett, Ian Rogers.
250 $a 1st ed. 2016.
264 1 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a X, 206 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Pop Music, Culture and Identity, $x 2634-6613
505 0 $a Introduction: Scenes and memory -- Part I: Concepts -- 1.Scene ‘theory’: History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes .
520 $a This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally. .
650 0 $a Culture—Study and teaching. $3 1253505
650 0 $a Music. $3 649088
650 0 $a Historiography. $3 567663
650 0 $a Emotions. $3 560966
650 1 4 $a Cultural Theory. $3 1108078
650 2 4 $a Memory Studies. $3 1110464
650 2 4 $a Emotion. $3 1105328
700 1 $a Rogers, Ian. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1115642
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137402035
776 0 8 $i Printed edition: $z 9781349680283
776 0 8 $i Printed edition: $z 9781349680276
830 0 $a Pop Music, Culture and Identity, $x 2634-6613 $3 1255852
856 4 0 $u https://doi.org/10.1057/978-1-137-40204-2
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)