國立虎尾科技大學 |

Lindsay Anderson Revisited = Unknown Aspects of a Film Director /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Lindsay Anderson Revisited/ edited by Erik Hedling, Christophe Dupin.
其他題名:	Unknown Aspects of a Film Director /
其他作者:	Hedling, Erik.
面頁冊數:	XXI, 227 p. 14 illus., 11 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Motion pictures—Production and direction. -
電子資源:	https://doi.org/10.1057/978-1-137-53943-4
ISBN:	9781137539434

Lindsay Anderson Revisited = Unknown Aspects of a Film Director /
Lindsay Anderson RevisitedUnknown Aspects of a Film Director /[electronic resource] :edited by Erik Hedling, Christophe Dupin. - 1st ed. 2016. - XXI, 227 p. 14 illus., 11 illus. in color.online resource.

Acknowledgements -- Preface: Remembering the Past/For the Future: Lindsay Anderson and What Can Be Done in Cinema. Christine Holmlund -- 1. 'Lindsay Anderson’s Legacy: An Introduction', Erik Hedling and Christophe Dupin -- 2. 'Just Remembering Lindsay', David Robinson -- 3. ‘Lindsay Anderson: Child of Empire’, Karl Magee -- 4. 'A Kind of Friendship: Lindsay Anderson and John Ford', Charles Barr -- 5. 'Secret People: Anderson and Thorold Dickinson', Robert Murphy -- 6. 'Lindsay Anderson and Serge Reggiani: Writing, Friendship and Directorial Practice', Isabelle Gourdin Sangouard -- 7. ’Notes from Sherwood’, Michael Eaton -- 8. ’Lindsay Anderson – The Polish Connection’, Bjørn Sørenssen -- 9. ’Lindsay: With a Little Help from his Friends’, Charles Drazin -- 10. ’Anderson in America: Transatlantic Satire in the 1960s’, Allison Graham -- 11. ‘The Auteur vs the Institution: The Tempestuous Relationship between Lindsay Anderson and the BFI, 1949-1994’, Christophe Dupin -- 12. ‘Theatre, Film and Television: Lindsay Anderson Directs David Storey’s In Celebration (1969) and Home (1970)’, John Izod -- 13. ‘Strange Bedfellows: Lindsay Anderson and Chariots of Fire’, Erik Hedling -- 14. ‘Lindsay Anderson and Scotland: Identity and the Inveterate Outsider’, Duncan Petrie -- 15. ’A Critical Conscience’, Paul Ryan -- Notes on Contributors -- .

Lindsay Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If….(1968). This book deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains, for instance, chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, with scripts provided by blacklisted scriptwriters, his troubles with the British film establishment, and his gradually emerging concern regarding himself being Scottish, not English. The book also has some chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and strong commitment.

ISBN: 9781137539434

Standard No.: 10.1057/978-1-137-53943-4doiSubjects--Topical Terms:

1255876
Motion pictures—Production and direction.

LC Class. No.: PN1995.9.P7

Dewey Class. No.: 791.4

Lindsay Anderson Revisited = Unknown Aspects of a Film Director /
LDR:03772nam a22003975i 4500 001 975954
003 DE-He213
005 20200705175437.0
007 cr nn 008mamaa
008 201211s2016 xxk| s |||| 0|eng d
020 $a 9781137539434 $9 978-1-137-53943-4
024 7 $a 10.1057/978-1-137-53943-4 $2 doi
035 $a 978-1-137-53943-4
050 4 $a PN1995.9.P7
072 7 $a AP $2 bicssc
072 7 $a PER004010 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4 $2 23
245 1 0 $a Lindsay Anderson Revisited $h [electronic resource] : $b Unknown Aspects of a Film Director / $c edited by Erik Hedling, Christophe Dupin.
250 $a 1st ed. 2016.
264 1 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a XXI, 227 p. 14 illus., 11 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Acknowledgements -- Preface: Remembering the Past/For the Future: Lindsay Anderson and What Can Be Done in Cinema. Christine Holmlund -- 1. 'Lindsay Anderson’s Legacy: An Introduction', Erik Hedling and Christophe Dupin -- 2. 'Just Remembering Lindsay', David Robinson -- 3. ‘Lindsay Anderson: Child of Empire’, Karl Magee -- 4. 'A Kind of Friendship: Lindsay Anderson and John Ford', Charles Barr -- 5. 'Secret People: Anderson and Thorold Dickinson', Robert Murphy -- 6. 'Lindsay Anderson and Serge Reggiani: Writing, Friendship and Directorial Practice', Isabelle Gourdin Sangouard -- 7. ’Notes from Sherwood’, Michael Eaton -- 8. ’Lindsay Anderson – The Polish Connection’, Bjørn Sørenssen -- 9. ’Lindsay: With a Little Help from his Friends’, Charles Drazin -- 10. ’Anderson in America: Transatlantic Satire in the 1960s’, Allison Graham -- 11. ‘The Auteur vs the Institution: The Tempestuous Relationship between Lindsay Anderson and the BFI, 1949-1994’, Christophe Dupin -- 12. ‘Theatre, Film and Television: Lindsay Anderson Directs David Storey’s In Celebration (1969) and Home (1970)’, John Izod -- 13. ‘Strange Bedfellows: Lindsay Anderson and Chariots of Fire’, Erik Hedling -- 14. ‘Lindsay Anderson and Scotland: Identity and the Inveterate Outsider’, Duncan Petrie -- 15. ’A Critical Conscience’, Paul Ryan -- Notes on Contributors -- .
520 $a Lindsay Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If….(1968). This book deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains, for instance, chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, with scripts provided by blacklisted scriptwriters, his troubles with the British film establishment, and his gradually emerging concern regarding himself being Scottish, not English. The book also has some chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and strong commitment.
650 0 $a Motion pictures—Production and direction. $3 1255876
650 0 $a Ethnology—Europe. $3 1253895
650 0 $a Motion pictures—Great Britain. $3 1254391
650 0 $a Motion pictures—History. $3 1254173
650 1 4 $a Directing. $3 1110563
650 2 4 $a British Culture. $3 1110465
650 2 4 $a British Cinema and TV. $3 1228491
650 2 4 $a Film History. $3 1105134
700 1 $a Hedling, Erik. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1110561
700 1 $a Dupin, Christophe. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1110562
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137539427
776 0 8 $i Printed edition: $z 9781349711819
776 0 8 $i Printed edition: $z 9781349711802
856 4 0 $u https://doi.org/10.1057/978-1-137-53943-4
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)