國立虎尾科技大學 |

The Post-Apocalyptic Novel in the Twenty-First Century = Modernity beyond Salvage /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Post-Apocalyptic Novel in the Twenty-First Century/ by H. Hicks.
其他題名:	Modernity beyond Salvage /
作者:	Hicks, H.
面頁冊數:	IX, 208 p.online resource. :
Contained By:	Springer Nature eBook
標題:	Literature, Modern—20th century. -
電子資源:	https://doi.org/10.1057/9781137545848
ISBN:	9781137545848

The Post-Apocalyptic Novel in the Twenty-First Century = Modernity beyond Salvage /
Hicks, H.

The Post-Apocalyptic Novel in the Twenty-First CenturyModernity beyond Salvage /[electronic resource] :by H. Hicks. - 1st ed. 2016. - IX, 208 p.online resource.

Since the beginning of the twenty-first century, major Anglophone authors have flocked to a literary form once considered lowbrow 'genre fiction': the post-apocalyptic novel. Calling on her broad knowledge of the history of apocalyptic literature, Hicks examines the most influential post-apocalyptic novels written since the beginning of the new millennium, including works by Margaret Atwood, David Mitchell, Cormac McCarthy, Jeanette Winterson, Colson Whitehead, and Paolo Bacigalupi. Situating her careful readings in relationship to the scholarship of a wide range of historians, theorists, and literary critics, she argues that these texts use the post-apocalyptic form to reevaluate modernity in the context of the new century's political, economic, and ecological challenges. In the immediate wake of disaster, the characters in these novels desperately scavenge the scraps of the modern world. But what happens to modernity beyond these first moments of salvage? In a period when postmodernism no longer defines cultural production, Hicks convincingly demonstrates that these writers employ conventions of post-apocalyptic genre fiction to reengage with key features of modernity, from historical thinking and the institution of nationhood to rationality and the practices of literacy itself.

ISBN: 9781137545848

Standard No.: 10.1057/9781137545848doiSubjects--Topical Terms:

1254198
Literature, Modern—20th century.

LC Class. No.: PN770-779

Dewey Class. No.: 809.04

The Post-Apocalyptic Novel in the Twenty-First Century = Modernity beyond Salvage /
LDR:02656nam a22003855i 4500 001 975992
003 DE-He213
005 20200630054756.0
007 cr nn 008mamaa
008 201211s2016 xxu| s |||| 0|eng d
020 $a 9781137545848 $9 978-1-137-54584-8
024 7 $a 10.1057/9781137545848 $2 doi
035 $a 978-1-137-54584-8
050 4 $a PN770-779
072 7 $a DSBH $2 bicssc
072 7 $a LIT024050 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 809.04 $2 23
100 1 $a Hicks, H. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1270257
245 1 4 $a The Post-Apocalyptic Novel in the Twenty-First Century $h [electronic resource] : $b Modernity beyond Salvage / $c by H. Hicks.
250 $a 1st ed. 2016.
264 1 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a IX, 208 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
520 $a Since the beginning of the twenty-first century, major Anglophone authors have flocked to a literary form once considered lowbrow 'genre fiction': the post-apocalyptic novel. Calling on her broad knowledge of the history of apocalyptic literature, Hicks examines the most influential post-apocalyptic novels written since the beginning of the new millennium, including works by Margaret Atwood, David Mitchell, Cormac McCarthy, Jeanette Winterson, Colson Whitehead, and Paolo Bacigalupi. Situating her careful readings in relationship to the scholarship of a wide range of historians, theorists, and literary critics, she argues that these texts use the post-apocalyptic form to reevaluate modernity in the context of the new century's political, economic, and ecological challenges. In the immediate wake of disaster, the characters in these novels desperately scavenge the scraps of the modern world. But what happens to modernity beyond these first moments of salvage? In a period when postmodernism no longer defines cultural production, Hicks convincingly demonstrates that these writers employ conventions of post-apocalyptic genre fiction to reengage with key features of modernity, from historical thinking and the institution of nationhood to rationality and the practices of literacy itself.
650 0 $a Literature, Modern—20th century. $3 1254198
650 0 $a America—Literatures. $3 1254197
650 0 $a British literature. $3 996807
650 0 $a European literature. $3 934838
650 0 $a Fiction. $3 570028
650 0 $a Literature—History and criticism. $3 1253623
650 1 4 $a Twentieth-Century Literature. $3 1105346
650 2 4 $a North American Literature. $3 1106125
650 2 4 $a British and Irish Literature. $3 1104874
650 2 4 $a European Literature. $3 1105347
650 2 4 $a Literary History. $3 1104873
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137553669
776 0 8 $i Printed edition: $z 9781349716494
776 0 8 $i Printed edition: $z 9781349716487
856 4 0 $u https://doi.org/10.1057/9781137545848
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)