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Paradoxical Japaneseness = Cultural ...
~
Dorman, Andrew.
Paradoxical Japaneseness = Cultural Representation in 21st Century Japanese Cinema /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Paradoxical Japaneseness/ by Andrew Dorman.
其他題名:
Cultural Representation in 21st Century Japanese Cinema /
作者:
Dorman, Andrew.
面頁冊數:
XIII, 224 p. 10 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Ethnology—Asia. -
電子資源:
https://doi.org/10.1057/978-1-137-55160-3
ISBN:
9781137551603
Paradoxical Japaneseness = Cultural Representation in 21st Century Japanese Cinema /
Dorman, Andrew.
Paradoxical Japaneseness
Cultural Representation in 21st Century Japanese Cinema /[electronic resource] :by Andrew Dorman. - 1st ed. 2016. - XIII, 224 p. 10 illus.online resource.
Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions .
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
ISBN: 9781137551603
Standard No.: 10.1057/978-1-137-55160-3doiSubjects--Topical Terms:
1254172
Ethnology—Asia.
LC Class. No.: GN625-635
Dewey Class. No.: 306.095
Paradoxical Japaneseness = Cultural Representation in 21st Century Japanese Cinema /
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Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions .
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