國立虎尾科技大學 |

The Visual Divide between Islam and the West = Image Perception within Cross-Cultural Contexts /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Visual Divide between Islam and the West/ by Hatem N. Akil.
其他題名:	Image Perception within Cross-Cultural Contexts /
作者:	Akil, Hatem N.
面頁冊數:	XVIII, 232 p. 15 illus., 12 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Communication. -
電子資源:	https://doi.org/10.1057/978-1-137-56582-2
ISBN:	9781137565822

The Visual Divide between Islam and the West = Image Perception within Cross-Cultural Contexts /
Akil, Hatem N.

The Visual Divide between Islam and the WestImage Perception within Cross-Cultural Contexts /[electronic resource] :by Hatem N. Akil. - 1st ed. 2016. - XVIII, 232 p. 15 illus., 12 illus. in color.online resource.

.List of Figures -- .Introduction -- .Chapter One: Technologies of Seeing -- .Chapter Two: The Sound of the Revolution -- .Chapter Three: Colonial Gaze--Native Bodies -- .Chapter Four: The Boy Who Was Killed Twice -- .Chapter Five: The Martyr Takes a Selfie -- .Chapter Six: Cinematic Terrorism -- .Endnotes -- .References.

This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain “will-to-visibility” whereby Muslims/ Arabs wish just to be “seen” and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence – as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.

ISBN: 9781137565822

Standard No.: 10.1057/978-1-137-56582-2doiSubjects--Topical Terms:

556422
Communication.

LC Class. No.: P87-96

Dewey Class. No.: 302.23

The Visual Divide between Islam and the West = Image Perception within Cross-Cultural Contexts /
LDR:02952nam a22003975i 4500 001 976104
003 DE-He213
005 20200629123327.0
007 cr nn 008mamaa
008 201211s2016 xxu| s |||| 0|eng d
020 $a 9781137565822 $9 978-1-137-56582-2
024 7 $a 10.1057/978-1-137-56582-2 $2 doi
035 $a 978-1-137-56582-2
050 4 $a P87-96
072 7 $a JFD $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a JBCT $2 thema
082 0 4 $a 302.23 $2 23
100 1 $a Akil, Hatem N. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1116378
245 1 4 $a The Visual Divide between Islam and the West $h [electronic resource] : $b Image Perception within Cross-Cultural Contexts / $c by Hatem N. Akil.
250 $a 1st ed. 2016.
264 1 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a XVIII, 232 p. 15 illus., 12 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a .List of Figures -- .Introduction -- .Chapter One: Technologies of Seeing -- .Chapter Two: The Sound of the Revolution -- .Chapter Three: Colonial Gaze--Native Bodies -- .Chapter Four: The Boy Who Was Killed Twice -- .Chapter Five: The Martyr Takes a Selfie -- .Chapter Six: Cinematic Terrorism -- .Endnotes -- .References.
520 $a This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain “will-to-visibility” whereby Muslims/ Arabs wish just to be “seen” and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence – as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.
650 0 $a Communication. $3 556422
650 0 $a Ethnology—Middle East . $3 1254342
650 0 $a United States—Study and teaching. $3 1260129
650 0 $a Cultural heritage. $3 1203579
650 1 4 $a Media and Communication. $3 1107289
650 2 4 $a Middle Eastern Culture. $3 1107045
650 2 4 $a American Culture. $3 1108141
650 2 4 $a Communication Studies. $3 786352
650 2 4 $a Cultural Heritage. $3 678513
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137569646
776 0 8 $i Printed edition: $z 9781349928415
776 0 8 $i Printed edition: $z 9781349928422
856 4 0 $u https://doi.org/10.1057/978-1-137-56582-2
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)