國立虎尾科技大學 |

Contemporary Arts as Political Practice in Singapore

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Contemporary Arts as Political Practice in Singapore/ edited by Wernmei Yong Ade, Lim Lee Ching.
其他作者:	Ade, Wernmei Yong.
面頁冊數:	VII, 165 p. 12 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Ethnology—Asia. -
電子資源:	https://doi.org/10.1057/978-1-137-57344-5
ISBN:	9781137573445

Contemporary Arts as Political Practice in Singapore
Contemporary Arts as Political Practice in Singapore[electronic resource] /edited by Wernmei Yong Ade, Lim Lee Ching. - 1st ed. 2016. - VII, 165 p. 12 illus. in color.online resource.

Introduction -- Waxing on Wagers -- Loo Zihan and the Body Confessional -- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris -- The Mosaic Body: Interpreting Disability in Performance -- Embodying Multiplicity on the Singapore Stage: Plays of Difference -- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy -- Neighbours’: A Tiong Bahru Series -- The Substation at 25: On Institutional Memory and Forgetting.

This pivot examines the contemporary arts as political practice in Singapore. Singapore marked 50 years of Independence in 2015 and this timely collection on the topic of contemporary arts as political practice in Singapore offers critical insight into some of the more controversial talking points that have shaped Singapore’s identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore’s political landscape, the authors consider how Politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collections examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, this collection opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics an inherently political one. .

ISBN: 9781137573445

Standard No.: 10.1057/978-1-137-57344-5doiSubjects--Topical Terms:

1254172
Ethnology—Asia.

LC Class. No.: GN625-635

Dewey Class. No.: 306.095

Contemporary Arts as Political Practice in Singapore
LDR:03218nam a22003975i 4500 001 976184
003 DE-He213
005 20200630065943.0
007 cr nn 008mamaa
008 201211s2016 xxu| s |||| 0|eng d
020 $a 9781137573445 $9 978-1-137-57344-5
024 7 $a 10.1057/978-1-137-57344-5 $2 doi
035 $a 978-1-137-57344-5
050 4 $a GN625-635
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 306.095 $2 23
245 1 0 $a Contemporary Arts as Political Practice in Singapore $h [electronic resource] / $c edited by Wernmei Yong Ade, Lim Lee Ching.
250 $a 1st ed. 2016.
264 1 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a VII, 165 p. 12 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Introduction -- Waxing on Wagers -- Loo Zihan and the Body Confessional -- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris -- The Mosaic Body: Interpreting Disability in Performance -- Embodying Multiplicity on the Singapore Stage: Plays of Difference -- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy -- Neighbours’: A Tiong Bahru Series -- The Substation at 25: On Institutional Memory and Forgetting.
520 $a This pivot examines the contemporary arts as political practice in Singapore. Singapore marked 50 years of Independence in 2015 and this timely collection on the topic of contemporary arts as political practice in Singapore offers critical insight into some of the more controversial talking points that have shaped Singapore’s identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore’s political landscape, the authors consider how Politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collections examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, this collection opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics an inherently political one. .
650 0 $a Ethnology—Asia. $3 1254172
650 1 4 $a Asian Culture. $3 1107945
700 1 $a Ade, Wernmei Yong. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1117452
700 1 $a Ching, Lim Lee. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1117453
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137576286
776 0 8 $i Printed edition: $z 9781349720514
776 0 8 $i Printed edition: $z 9781349720507
856 4 0 $u https://doi.org/10.1057/978-1-137-57344-5
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)