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Cuban Film Media, Late Socialism, an...
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Cuban Film Media, Late Socialism, and the Public Sphere = Imperfect Aesthetics /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Cuban Film Media, Late Socialism, and the Public Sphere/ by Nicholas Balaisis.
其他題名:
Imperfect Aesthetics /
作者:
Balaisis, Nicholas.
面頁冊數:
XII, 201 p. 23 illus., 19 illus. in color.online resource. :
Contained By:
Springer Nature eBook
標題:
Motion pictures, American. -
電子資源:
https://doi.org/10.1057/978-1-137-58431-1
ISBN:
9781137584311
Cuban Film Media, Late Socialism, and the Public Sphere = Imperfect Aesthetics /
Balaisis, Nicholas.
Cuban Film Media, Late Socialism, and the Public Sphere
Imperfect Aesthetics /[electronic resource] :by Nicholas Balaisis. - 1st ed. 2016. - XII, 201 p. 23 illus., 19 illus. in color.online resource. - Global Cinema,2634-5951. - Global Cinema,.
This book maps the aesthetic experience of late socialism through Cuban film and media practice. It shows how economic and material scarcity as well as political uncertainty is expressed aesthetically in films from the period following the collapse of the Soviet Union, a characteristic described as imperfect aesthetics. The films examined in the book draw attention to the unique temporal experience of late socialism, a period marked both by rapid change and frustrating stasis, nostalgia for Cuba’s past and anxiousness about its future. Aesthetic modes such as melodrama and irony, and stylistic elements such as direct address and the long take, communicate the temporal experience of late socialism in Cuba, where new global traffic and a globalizing economy co-exist with iconic socialist features of the Cuban revolution. Film aesthetics constitute an important public dimension within this context, serving as a site of political and cultural critique amidst political uncertainty. In examining large-scale international co-productions as well as regional film collectives and amateur media making, the book traces the aesthetic continuities between contemporary film practices and those of the immediate post-revolutionary period, showing how the Cuban revolution continues to be an important touchstone for contemporary Cuban filmmakers in the face of new and imminent change. .
ISBN: 9781137584311
Standard No.: 10.1057/978-1-137-58431-1doiSubjects--Topical Terms:
1259820
Motion pictures, American.
LC Class. No.: PN1993.5.A1
Dewey Class. No.: 791.4098
Cuban Film Media, Late Socialism, and the Public Sphere = Imperfect Aesthetics /
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