國立虎尾科技大學 |

Language: English

Back to Search results for [ subject:"�թ~��]772��846�^�ФH�ͭ�" ]

The Cyborg Subject = Reality, Consci...

Benjamin, Garfield.

The Cyborg Subject = Reality, Consciousness, Parallax /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The Cyborg Subject/ by Garfield Benjamin.
Reminder of title:	Reality, Consciousness, Parallax /
Author:	Benjamin, Garfield.
Description:	XV, 232 p.online resource. :
Contained By:	Springer Nature eBook
Subject:	Culture—Study and teaching. -
Online resource:	https://doi.org/10.1057/978-1-137-58449-6
ISBN:	9781137584496

The Cyborg Subject = Reality, Consciousness, Parallax /
Benjamin, Garfield.

The Cyborg SubjectReality, Consciousness, Parallax /[electronic resource] :by Garfield Benjamin. - 1st ed. 2016. - XV, 232 p.online resource.

Introduction -- 1.The Cyborg Subject: An Introduction -- 2.The Open Subject: Media(Tion) Between Worlds -- 3.The Empty Subject: Void-In-Itself -- 4.The Absent Subject: Objet A-Vatar -- 5.The Undead Subject: Virtual Monsters -- 6.The Impossible Subject: Cyborg Future. .

This book outlines a new conception of the cyborg in terms of consciousness as the parallax gap between physical and digital worlds. The contemporary subject constructs its own internal reality in the interplay of the Virtual and the Real. Reinterpreting the work of Slavoj Žižek and Gilles Deleuze in terms of the psychological and ontological construction of the digital, alongside the philosophy of quantum physics, this book offers a challenge to materialist perspectives in the fluid cyberspace that is ever permeating our lives. The inclusion of the subject in its own epistemological framework establishes a model for an engaged spectatorship of reality. Through the analysis of online media, digital art, avatars, computer games and science fiction, a new model of cyborg culture reveals the opportunities for critical and creative interventions in the contemporary subjective experience, promoting an awareness of the parallax position we all occupy between physical and digital worlds. Garfield Benjamin is a cultural theorist and digital artist working with issues of subjectivity and reality in the digital age. He completed his PhD in Digital Technology Theory and Practice at the University of Wolverhampton, UK. His internationally exhibited digital art practice includes computer-generated images, interactive games and augmented reality.

ISBN: 9781137584496

Standard No.: 10.1057/978-1-137-58449-6doiSubjects--Topical Terms:

1253505
Culture—Study and teaching.

LC Class. No.: HM623

Dewey Class. No.: 306.01

The Cyborg Subject = Reality, Consciousness, Parallax /
LDR:02979nam a22003975i 4500 001 976268
003 DE-He213
005 20200701163908.0
007 cr nn 008mamaa
008 201211s2016 xxk| s |||| 0|eng d
020 $a 9781137584496 $9 978-1-137-58449-6
024 7 $a 10.1057/978-1-137-58449-6 $2 doi
035 $a 978-1-137-58449-6
050 4 $a HM623
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 306.01 $2 23
100 1 $a Benjamin, Garfield. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1110586
245 1 4 $a The Cyborg Subject $h [electronic resource] : $b Reality, Consciousness, Parallax / $c by Garfield Benjamin.
250 $a 1st ed. 2016.
264 1 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a XV, 232 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Introduction -- 1.The Cyborg Subject: An Introduction -- 2.The Open Subject: Media(Tion) Between Worlds -- 3.The Empty Subject: Void-In-Itself -- 4.The Absent Subject: Objet A-Vatar -- 5.The Undead Subject: Virtual Monsters -- 6.The Impossible Subject: Cyborg Future. .
520 $a This book outlines a new conception of the cyborg in terms of consciousness as the parallax gap between physical and digital worlds. The contemporary subject constructs its own internal reality in the interplay of the Virtual and the Real. Reinterpreting the work of Slavoj Žižek and Gilles Deleuze in terms of the psychological and ontological construction of the digital, alongside the philosophy of quantum physics, this book offers a challenge to materialist perspectives in the fluid cyberspace that is ever permeating our lives. The inclusion of the subject in its own epistemological framework establishes a model for an engaged spectatorship of reality. Through the analysis of online media, digital art, avatars, computer games and science fiction, a new model of cyborg culture reveals the opportunities for critical and creative interventions in the contemporary subjective experience, promoting an awareness of the parallax position we all occupy between physical and digital worlds. Garfield Benjamin is a cultural theorist and digital artist working with issues of subjectivity and reality in the digital age. He completed his PhD in Digital Technology Theory and Practice at the University of Wolverhampton, UK. His internationally exhibited digital art practice includes computer-generated images, interactive games and augmented reality.
650 0 $a Culture—Study and teaching. $3 1253505
650 0 $a Communication. $3 556422
650 0 $a Arts. $3 577996
650 0 $a Ontology. $3 559386
650 0 $a Philosophy and science. $3 555818
650 0 $a Artificial intelligence. $3 559380
650 1 4 $a Cultural Theory. $3 1108078
650 2 4 $a Media Studies. $2 ukslc $3 1008599
650 2 4 $a Philosophy of Science. $3 668204
650 2 4 $a Artificial Intelligence. $3 646849
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9781137584489
776 0 8 $i Printed edition: $z 9781349844340
776 0 8 $i Printed edition: $z 9781349844333
856 4 0 $u https://doi.org/10.1057/978-1-137-58449-6
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)

based on 0 review(s)

Multimedia

Reviews

Add a review and share your thoughts with other readers

Export

pickup library