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Zainichi Cinema = Korean-in-Japan Film Culture /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Zainichi Cinema/ by Oliver Dew.
Reminder of title:	Korean-in-Japan Film Culture /
Author:	Dew, Oliver.
Description:	XIV, 235 p. 30 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion pictures—Asia. -
Online resource:	https://doi.org/10.1007/978-3-319-40877-4
ISBN:	9783319408774

Zainichi Cinema = Korean-in-Japan Film Culture /
Dew, Oliver.

Zainichi CinemaKorean-in-Japan Film Culture /[electronic resource] :by Oliver Dew. - 1st ed. 2016. - XIV, 235 p. 30 illus. in color.online resource.

Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. ‘Pacchigi Power!’: the ‘coming out’ melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.

This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to “represent”, and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.

ISBN: 9783319408774

Standard No.: 10.1007/978-3-319-40877-4doiSubjects--Topical Terms:

1254171
Motion pictures—Asia.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4095

Zainichi Cinema = Korean-in-Japan Film Culture /
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520 $a This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to “represent”, and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.
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