Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
End-of-Art Philosophy in Hegel, Niet...
~
SpringerLink (Online service)
End-of-Art Philosophy in Hegel, Nietzsche and Danto
Record Type:
Language materials, printed : Monograph/item
Title/Author:
End-of-Art Philosophy in Hegel, Nietzsche and Danto/ by Stephen Snyder.
Author:
Snyder, Stephen.
Description:
XV, 301 p. 14 illus., 12 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Aesthetics. -
Online resource:
https://doi.org/10.1007/978-3-319-94072-4
ISBN:
9783319940724
End-of-Art Philosophy in Hegel, Nietzsche and Danto
Snyder, Stephen.
End-of-Art Philosophy in Hegel, Nietzsche and Danto
[electronic resource] /by Stephen Snyder. - 1st ed. 2018. - XV, 301 p. 14 illus., 12 illus. in color.online resource.
Chapter One: The End of Art Debate -- Chapter Two: Hegel: The End of Art as Truth Incarnate -- Chapter Three: The Transformative Power of Creativity in Nietzsche's Saving Illusion -- Chapter Four: Danto and the End of Art: Surrendering to Unintelligibility -- Chapter Five: Style of the Future -- Bibliography -- Index.
This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms. .
ISBN: 9783319940724
Standard No.: 10.1007/978-3-319-94072-4doiSubjects--Topical Terms:
555008
Aesthetics.
LC Class. No.: BH1-301
Dewey Class. No.: 111.85
End-of-Art Philosophy in Hegel, Nietzsche and Danto
LDR
:02986nam a22003975i 4500
001
987301
003
DE-He213
005
20200630125332.0
007
cr nn 008mamaa
008
201225s2018 gw | s |||| 0|eng d
020
$a
9783319940724
$9
978-3-319-94072-4
024
7
$a
10.1007/978-3-319-94072-4
$2
doi
035
$a
978-3-319-94072-4
050
4
$a
BH1-301
072
7
$a
HPN
$2
bicssc
072
7
$a
PHI001000
$2
bisacsh
072
7
$a
QDTN
$2
thema
082
0 4
$a
111.85
$2
23
100
1
$a
Snyder, Stephen.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1210759
245
1 0
$a
End-of-Art Philosophy in Hegel, Nietzsche and Danto
$h
[electronic resource] /
$c
by Stephen Snyder.
250
$a
1st ed. 2018.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2018.
300
$a
XV, 301 p. 14 illus., 12 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Chapter One: The End of Art Debate -- Chapter Two: Hegel: The End of Art as Truth Incarnate -- Chapter Three: The Transformative Power of Creativity in Nietzsche's Saving Illusion -- Chapter Four: Danto and the End of Art: Surrendering to Unintelligibility -- Chapter Five: Style of the Future -- Bibliography -- Index.
520
$a
This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms. .
650
0
$a
Aesthetics.
$3
555008
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783319940717
776
0 8
$i
Printed edition:
$z
9783319940731
776
0 8
$i
Printed edition:
$z
9783030405069
856
4 0
$u
https://doi.org/10.1007/978-3-319-94072-4
912
$a
ZDB-2-REP
912
$a
ZDB-2-SXPR
950
$a
Religion and Philosophy (SpringerNature-41175)
950
$a
Philosophy and Religion (R0) (SpringerNature-43725)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login