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All Too Human = Laughter, Humor, and...
~
Moland, Lydia L.
All Too Human = Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
All Too Human/ edited by Lydia L. Moland.
其他題名:
Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /
其他作者:
Moland, Lydia L.
面頁冊數:
XI, 198 p. 4 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Aesthetics. -
電子資源:
https://doi.org/10.1007/978-3-319-91331-5
ISBN:
9783319913315
All Too Human = Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /
All Too Human
Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /[electronic resource] :edited by Lydia L. Moland. - 1st ed. 2018. - XI, 198 p. 4 illus.online resource. - Boston Studies in Philosophy, Religion and Public Life,72352-8206 ;. - Boston Studies in Philosophy, Religion and Public Life,3.
Chapter 1. Introduction (Lydia Moland) -- Chapter 2. The Ends of Art: Hegel on Comedy and Humor from Aristophanes to Jean Paul (Lydia Moland) -- Chapter 3. Schlegel on Humor and Comedy (Katia Hay) -- Chapter 4. Jean Paul on Humor (William Coker) -- Chapter 5. Caricature, Philosophy and the Aesthetics of the Ugly: Some Questions for Rosenkranz (Allen Speight) -- Chapter 6. Humor as Redemption in the Pessimistic Philosophy of Julius Bahnsen (Frederick Beiser) -- Chapter 7. Schopenhauer’s Incongruity Theory of Humor (Robert Wicks) -- Chapter 8. ‘What Time Is It?....Eternity’: Kierkegaard’s Socratic Use of Hegel’s Insights on Romantic Humor (Marcia Robinson) -- Chapter 9. Jest as Humility: Kierkegaard and the Possibility of Virtue (John Lippitt) -- Chapter 10. The Divine Hanswurst: Nietzsche on Laughter and Comedy (Matthew Meyer) -- Chapter 11. Bergson’s On Laughter (Keith Ansell-Pearson).
This book offers an analysis of humor, comedy, and laughter as philosophical topics in the 19th Century. It traces the introduction of humor as a new aesthetic category inspired by Laurence Sterne’s "Tristram Shandy" and shows Sterne’s deep influence on German aesthetic theorists of this period. Through differentiating humor from comedy, the book suggests important distinctions within the aesthetic philosophies of G.W.F. Hegel, Karl Solger, and Jean Paul Richter. The book links Kant’s underdeveloped incongruity theory of laughter to Schopenhauer’s more complete account and identifies humor’s place in the pessimistic philosophy of Julius Bahnsen. It considers how caricature functioned at the intersection of politics, aesthetics, and ethics in Karl Rosenkranz’s work, and how Kierkegaard and Nietzsche made humor central not only to their philosophical content but also to its style. The book concludes with an explication of French philosopher Henri Bergson’s claim that laughter is a response to mechanical inelasticity.
ISBN: 9783319913315
Standard No.: 10.1007/978-3-319-91331-5doiSubjects--Topical Terms:
555008
Aesthetics.
LC Class. No.: BH1-301
Dewey Class. No.: 111.85
All Too Human = Laughter, Humor, and Comedy in Nineteenth-Century Philosophy /
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Chapter 1. Introduction (Lydia Moland) -- Chapter 2. The Ends of Art: Hegel on Comedy and Humor from Aristophanes to Jean Paul (Lydia Moland) -- Chapter 3. Schlegel on Humor and Comedy (Katia Hay) -- Chapter 4. Jean Paul on Humor (William Coker) -- Chapter 5. Caricature, Philosophy and the Aesthetics of the Ugly: Some Questions for Rosenkranz (Allen Speight) -- Chapter 6. Humor as Redemption in the Pessimistic Philosophy of Julius Bahnsen (Frederick Beiser) -- Chapter 7. Schopenhauer’s Incongruity Theory of Humor (Robert Wicks) -- Chapter 8. ‘What Time Is It?....Eternity’: Kierkegaard’s Socratic Use of Hegel’s Insights on Romantic Humor (Marcia Robinson) -- Chapter 9. Jest as Humility: Kierkegaard and the Possibility of Virtue (John Lippitt) -- Chapter 10. The Divine Hanswurst: Nietzsche on Laughter and Comedy (Matthew Meyer) -- Chapter 11. Bergson’s On Laughter (Keith Ansell-Pearson).
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