國立虎尾科技大學 |

Dance and the Arts in Mexico, 1920-1950 = The Cosmic Generation /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Dance and the Arts in Mexico, 1920-1950/ by Ellie Guerrero.
其他題名:	The Cosmic Generation /
作者:	Guerrero, Ellie.
面頁冊數:	IX, 210 p. 5 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Ethnology—Latin America. -
電子資源:	https://doi.org/10.1007/978-3-319-92474-8
ISBN:	9783319924748

Dance and the Arts in Mexico, 1920-1950 = The Cosmic Generation /
Guerrero, Ellie.

Dance and the Arts in Mexico, 1920-1950The Cosmic Generation /[electronic resource] :by Ellie Guerrero. - 1st ed. 2018. - IX, 210 p. 5 illus. in color.online resource.

1. 1920s: The Nation Body -- 2. 1930s: The Techno-Body -- 3. 1940s: The Falling Body -- 4. 1950s: The Hybrid Body.

Dance and the Arts in Mexico, 1920–1950 tells the story of the arts explosion that launched at the end of the Mexican revolution, when composers, choreographers, and muralists had produced state-sponsored works in wide public spaces. The book assesses how the “cosmic generation” in Mexico connected the nation-body and the dancer’s body in artistic movements between 1920 and 1950. It first discusses the role of dance in particular, the convergences of composers and visual artists in dance productions, and the allegorical relationship between the dancer's body and the nation-body in state-sponsored performances. The arts were of critical import in times of political and social transition, and the dynamic between the dancer’s body and the national body shifted as the government stance had also shifted. Second, this book examines more deeply the involvement of US artists and patrons in this Mexican arts movement during the period. Given the power imbalance between north and south, these exchanges were vexed. Still, the results for both parties were invaluable. Ultimately, this book argues in favor of the benefits that artists on both sides of the border received from these exchanges.

ISBN: 9783319924748

Standard No.: 10.1007/978-3-319-92474-8doiSubjects--Topical Terms:

1255885
Ethnology—Latin America.

LC Class. No.: GN562-564

Dewey Class. No.: 306.098

Dance and the Arts in Mexico, 1920-1950 = The Cosmic Generation /
LDR:02717nam a22003975i 4500 001 987447
003 DE-He213
005 20200704152047.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319924748 $9 978-3-319-92474-8
024 7 $a 10.1007/978-3-319-92474-8 $2 doi
035 $a 978-3-319-92474-8
050 4 $a GN562-564
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 306.098 $2 23
100 1 $a Guerrero, Ellie. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1207500
245 1 0 $a Dance and the Arts in Mexico, 1920-1950 $h [electronic resource] : $b The Cosmic Generation / $c by Ellie Guerrero.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a IX, 210 p. 5 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. 1920s: The Nation Body -- 2. 1930s: The Techno-Body -- 3. 1940s: The Falling Body -- 4. 1950s: The Hybrid Body.
520 $a Dance and the Arts in Mexico, 1920–1950 tells the story of the arts explosion that launched at the end of the Mexican revolution, when composers, choreographers, and muralists had produced state-sponsored works in wide public spaces. The book assesses how the “cosmic generation” in Mexico connected the nation-body and the dancer’s body in artistic movements between 1920 and 1950. It first discusses the role of dance in particular, the convergences of composers and visual artists in dance productions, and the allegorical relationship between the dancer's body and the nation-body in state-sponsored performances. The arts were of critical import in times of political and social transition, and the dynamic between the dancer’s body and the national body shifted as the government stance had also shifted. Second, this book examines more deeply the involvement of US artists and patrons in this Mexican arts movement during the period. Given the power imbalance between north and south, these exchanges were vexed. Still, the results for both parties were invaluable. Ultimately, this book argues in favor of the benefits that artists on both sides of the border received from these exchanges.
650 0 $a Ethnology—Latin America. $3 1255885
650 0 $a Latin America—History. $3 1278948
650 0 $a Dance. $3 556850
650 0 $a Cultural heritage. $3 1203579
650 0 $a Culture. $3 556041
650 1 4 $a Latin American Culture. $3 1108133
650 2 4 $a Latin American History. $3 1171903
650 2 4 $a Cultural Heritage. $3 678513
650 2 4 $a Global/International Culture. $3 1115696
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319924731
776 0 8 $i Printed edition: $z 9783319924755
776 0 8 $i Printed edition: $z 9783030064396
856 4 0 $u https://doi.org/10.1007/978-3-319-92474-8
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)