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Toward a Philosophy of the Documenta...
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SpringerLink (Online service)
Toward a Philosophy of the Documentarian = A Prolegomenon /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Toward a Philosophy of the Documentarian/ by Dan Geva.
Reminder of title:
A Prolegomenon /
Author:
Geva, Dan.
Description:
XI, 351 p. 17 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Aesthetics. -
Online resource:
https://doi.org/10.1007/978-3-319-75568-7
ISBN:
9783319755687
Toward a Philosophy of the Documentarian = A Prolegomenon /
Geva, Dan.
Toward a Philosophy of the Documentarian
A Prolegomenon /[electronic resource] :by Dan Geva. - 1st ed. 2018. - XI, 351 p. 17 illus.online resource.
1. Introduction -- 2. Documentarian-Abstractness (DA) -- 3. Documentarian-Sensoriality (DS) -- 4. Documentarian Práxis (DP) -- 5. Documentarian-Invisibility (DI).
The theme of this book is the documentarian—what the documentarian is and how we can understand it as a concept. Working from the premise that the documentarian is a special—extended—sign, the book develops a model of a quadruple sign structure for-and-of the documentarian, growing out of enduring traditions in philosophy, semiotics, psychoanalysis, and documentary theory. Dan Geva investigates the intellectual premise that allows the documentarian to show itself as an extremely sophisticated, creative, and purposeful being-in-the-world—one that is both embedded in its own history and able to manifest itself throughout its entire documentary life project, as a stand-alone conceptual phase in the history of ideas. .
ISBN: 9783319755687
Standard No.: 10.1007/978-3-319-75568-7doiSubjects--Topical Terms:
555008
Aesthetics.
LC Class. No.: BH1-301
Dewey Class. No.: 111.85
Toward a Philosophy of the Documentarian = A Prolegomenon /
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1. Introduction -- 2. Documentarian-Abstractness (DA) -- 3. Documentarian-Sensoriality (DS) -- 4. Documentarian Práxis (DP) -- 5. Documentarian-Invisibility (DI).
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The theme of this book is the documentarian—what the documentarian is and how we can understand it as a concept. Working from the premise that the documentarian is a special—extended—sign, the book develops a model of a quadruple sign structure for-and-of the documentarian, growing out of enduring traditions in philosophy, semiotics, psychoanalysis, and documentary theory. Dan Geva investigates the intellectual premise that allows the documentarian to show itself as an extremely sophisticated, creative, and purposeful being-in-the-world—one that is both embedded in its own history and able to manifest itself throughout its entire documentary life project, as a stand-alone conceptual phase in the history of ideas. .
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