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The Dystopian Imagination in Contemp...
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Palardy, Diana Q.
The Dystopian Imagination in Contemporary Spanish Literature and Film
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Dystopian Imagination in Contemporary Spanish Literature and Film/ by Diana Q. Palardy.
Author:
Palardy, Diana Q.
Description:
XV, 235 p. 5 illus., 1 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Ethnology—Europe. -
Online resource:
https://doi.org/10.1007/978-3-319-92885-2
ISBN:
9783319928852
The Dystopian Imagination in Contemporary Spanish Literature and Film
Palardy, Diana Q.
The Dystopian Imagination in Contemporary Spanish Literature and Film
[electronic resource] /by Diana Q. Palardy. - 1st ed. 2018. - XV, 235 p. 5 illus., 1 illus. in color.online resource. - Hispanic Urban Studies,2662-5830. - Hispanic Urban Studies,.
1. Introduction -- 2. The Path to Voluntary Confinement: Dystopian Spaces of Consumerism in Ray Loriga’s Tokio ya no nos quiere -- 3. Grafting the Global North onto the Global South: Dystopian Transhumanism in Elia Barceló’s “Mil euros por tu vida” -- 4. The Architecture of Avarice in Ion de Sosa’s Sueñan los androides or: How I Learned to Stop Worrying about the Economic Crisis and Love the Sheep -- 5. Sensescapes of Precarity in El salario del gigante by José Ardillo, Madrid: frontera by David Llorente, and Nos mienten by Eduardo Vaquerizo -- 6. The Cartography of In/subordination in El sistema by Ricardo Menéndez Salmón -- 7. Conclusion.
This study examines contemporary Spanish dystopian literature and films (in)directly related to the 2008 financial crisis from an urban cultural studies perspective. It explores culturally-charged landscapes that effectively convey the zeitgeist and reveal deep-rooted anxieties about issues such as globalization, consumerism, immigration, speculation, precarity, and political resistance (particularly by Indignados [Indignant Ones] from the 15-M Movement). The book loosely traces the trajectory of the crisis, with the first part looking at texts that underscore some of the behaviors that indirectly contributed to the crisis, and the remaining chapters focusing on works that directly examine the crisis and its aftermath. This close reading of texts and films by Ray Loriga, Elia Barceló, Ion de Sosa, José Ardillo, David Llorente, Eduardo Vaquerizo, and Ricardo Menéndez Salmón offers insights into the creative ways that these authors and directors use spatial constructions to capture the dystopian imagination.
ISBN: 9783319928852
Standard No.: 10.1007/978-3-319-92885-2doiSubjects--Topical Terms:
1253895
Ethnology—Europe.
LC Class. No.: GN575-585
Dewey Class. No.: 306.094
The Dystopian Imagination in Contemporary Spanish Literature and Film
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1. Introduction -- 2. The Path to Voluntary Confinement: Dystopian Spaces of Consumerism in Ray Loriga’s Tokio ya no nos quiere -- 3. Grafting the Global North onto the Global South: Dystopian Transhumanism in Elia Barceló’s “Mil euros por tu vida” -- 4. The Architecture of Avarice in Ion de Sosa’s Sueñan los androides or: How I Learned to Stop Worrying about the Economic Crisis and Love the Sheep -- 5. Sensescapes of Precarity in El salario del gigante by José Ardillo, Madrid: frontera by David Llorente, and Nos mienten by Eduardo Vaquerizo -- 6. The Cartography of In/subordination in El sistema by Ricardo Menéndez Salmón -- 7. Conclusion.
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