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Oscar Wilde and Contemporary Irish D...
~
Price, Graham.
Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Oscar Wilde and Contemporary Irish Drama/ by Graham Price.
Reminder of title:
Learning to be Oscar's Contemporary /
Author:
Price, Graham.
Description:
XII, 249 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
British and Irish Literature. -
Online resource:
https://doi.org/10.1007/978-3-319-93345-0
ISBN:
9783319933450
Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
Price, Graham.
Oscar Wilde and Contemporary Irish Drama
Learning to be Oscar's Contemporary /[electronic resource] :by Graham Price. - 1st ed. 2018. - XII, 249 p.online resource.
1. Introduction: The Future is what Artists Are -- 2. Brian Friel: The Liar as Artist -- 3. Thomas Kilroy: Biography but with the facts changed -- 4. Tom Murphy: We are all in the gutter, but some of us are looking at the stars -- 5. Frank McGuinness: To Hell with the truth so long as it rhymes -- 6. Marina Carr: All women become like their mothers. That is their tragedy. No man does. That’s his -- 7. Epilogue.
This book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ‘verbal theatre’ has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness.
ISBN: 9783319933450
Standard No.: 10.1007/978-3-319-93345-0doiSubjects--Topical Terms:
1104874
British and Irish Literature.
LC Class. No.: PN2000-3307
Dewey Class. No.: 792
Oscar Wilde and Contemporary Irish Drama = Learning to be Oscar's Contemporary /
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1. Introduction: The Future is what Artists Are -- 2. Brian Friel: The Liar as Artist -- 3. Thomas Kilroy: Biography but with the facts changed -- 4. Tom Murphy: We are all in the gutter, but some of us are looking at the stars -- 5. Frank McGuinness: To Hell with the truth so long as it rhymes -- 6. Marina Carr: All women become like their mothers. That is their tragedy. No man does. That’s his -- 7. Epilogue.
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This book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ‘verbal theatre’ has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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