國立虎尾科技大學 |

Religious Imaging in Millennialist America = Dark Gnosis /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Religious Imaging in Millennialist America/ by Ashley Crawford.
其他題名:	Dark Gnosis /
作者:	Crawford, Ashley.
面頁冊數:	VIII, 316 p.online resource. :
Contained By:	Springer Nature eBook
標題:	Religion and sociology. -
電子資源:	https://doi.org/10.1007/978-3-319-99172-6
ISBN:	9783319991726

Religious Imaging in Millennialist America = Dark Gnosis /
Crawford, Ashley.

Religious Imaging in Millennialist AmericaDark Gnosis /[electronic resource] :by Ashley Crawford. - 1st ed. 2018. - VIII, 316 p.online resource.

Chapter 1: Introduction: American Gnosis -- Chapter 2. Delirium: A brief history of America’s religious founding(s).-Chapter 3: Dualism: An exploration of good and evil via David Lynch’s films.-Chapter 4 Delusion: On Mormon and Masonic symbolism in Matthew Barney’s CREMASTER films -- Chapter 5: Deconstruction: On Judaic law and the apocalypse of language in Ben Marcus’ The Flame Alphabet -- Chapter 6: Dereliction and Defecation: On the religious underpinnings in Matthew Barney’s Subliming Vessel and Ben Marcus’ Leaving the Sea and the apocalyptic imaging of Matthew Barney’s River of Fundament -- Chapter 7. Dark Gnosis.

Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.

ISBN: 9783319991726

Standard No.: 10.1007/978-3-319-99172-6doiSubjects--Topical Terms:

578047
Religion and sociology.

LC Class. No.: BL60

Dewey Class. No.: 201.7

Religious Imaging in Millennialist America = Dark Gnosis /
LDR:02575nam a22003975i 4500 001 989503
003 DE-He213
005 20200702025726.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319991726 $9 978-3-319-99172-6
024 7 $a 10.1007/978-3-319-99172-6 $2 doi
035 $a 978-3-319-99172-6
050 4 $a BL60
072 7 $a HRAM $2 bicssc
072 7 $a SOC039000 $2 bisacsh
072 7 $a QRAM $2 thema
082 0 4 $a 201.7 $2 23
100 1 $a Crawford, Ashley. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1209757
245 1 0 $a Religious Imaging in Millennialist America $h [electronic resource] : $b Dark Gnosis / $c by Ashley Crawford.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a VIII, 316 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Chapter 1: Introduction: American Gnosis -- Chapter 2. Delirium: A brief history of America’s religious founding(s).-Chapter 3: Dualism: An exploration of good and evil via David Lynch’s films.-Chapter 4 Delusion: On Mormon and Masonic symbolism in Matthew Barney’s CREMASTER films -- Chapter 5: Deconstruction: On Judaic law and the apocalypse of language in Ben Marcus’ The Flame Alphabet -- Chapter 6: Dereliction and Defecation: On the religious underpinnings in Matthew Barney’s Subliming Vessel and Ben Marcus’ Leaving the Sea and the apocalyptic imaging of Matthew Barney’s River of Fundament -- Chapter 7. Dark Gnosis.
520 $a Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.
650 0 $a Religion and sociology. $3 578047
650 0 $a Popular Culture. $3 1115695
650 0 $a Motion pictures and television. $3 839765
650 1 4 $a Religion and Society. $3 1105155
650 2 4 $a Sociology of Religion. $3 1105149
650 2 4 $a Popular Culture . $3 1267872
650 2 4 $a Screen Studies. $3 1209908
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319991719
776 0 8 $i Printed edition: $z 9783319991733
776 0 8 $i Printed edition: $z 9783030075729
856 4 0 $u https://doi.org/10.1007/978-3-319-99172-6
912 $a ZDB-2-REP
912 $a ZDB-2-SXPR
950 $a Religion and Philosophy (SpringerNature-41175)
950 $a Philosophy and Religion (R0) (SpringerNature-43725)