語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Discourses of Vision in Nineteenth-C...
~
Potter, Jonathan.
Discourses of Vision in Nineteenth-Century Britain = Seeing, Thinking, Writing /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Discourses of Vision in Nineteenth-Century Britain/ by Jonathan Potter.
其他題名:
Seeing, Thinking, Writing /
作者:
Potter, Jonathan.
面頁冊數:
X, 269 p. 15 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Literature, Modern—19th century. -
電子資源:
https://doi.org/10.1007/978-3-319-89737-0
ISBN:
9783319897370
Discourses of Vision in Nineteenth-Century Britain = Seeing, Thinking, Writing /
Potter, Jonathan.
Discourses of Vision in Nineteenth-Century Britain
Seeing, Thinking, Writing /[electronic resource] :by Jonathan Potter. - 1st ed. 2018. - X, 269 p. 15 illus.online resource. - Palgrave Studies in Nineteenth-Century Writing and Culture,2634-6494. - Palgrave Studies in Nineteenth-Century Writing and Culture,.
1. Introduction: The Technological Imagination -- 2.Simultaneity and Fractal Time: The Panoramic Desire to See All -- 3. ‘Lost in Air’: The Magic Lantern and Visual Experiences of Balloons and Dreams -- 4. The Dissolving View and the Historical Imagination -- 5. Visions of Thought: Mid-century Science and Visual Knowledge -- 6. ‘Hocus Focus’: The Stereoscope and Everyday Imagination -- 7. The Networked World: The Psychopathology of Simultaneity -- 8. The Web of Realities: A Fractal Episteme -- 9.Conclusion.
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.
ISBN: 9783319897370
Standard No.: 10.1007/978-3-319-89737-0doiSubjects--Topical Terms:
1253622
Literature, Modern—19th century.
LC Class. No.: PN760.5-769
Dewey Class. No.: 809.034
Discourses of Vision in Nineteenth-Century Britain = Seeing, Thinking, Writing /
LDR
:02864nam a22004095i 4500
001
991011
003
DE-He213
005
20200930212020.0
007
cr nn 008mamaa
008
201225s2018 gw | s |||| 0|eng d
020
$a
9783319897370
$9
978-3-319-89737-0
024
7
$a
10.1007/978-3-319-89737-0
$2
doi
035
$a
978-3-319-89737-0
050
4
$a
PN760.5-769
072
7
$a
DSBF
$2
bicssc
072
7
$a
LIT024040
$2
bisacsh
072
7
$a
DSBF
$2
thema
082
0 4
$a
809.034
$2
23
100
1
$a
Potter, Jonathan.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1209536
245
1 0
$a
Discourses of Vision in Nineteenth-Century Britain
$h
[electronic resource] :
$b
Seeing, Thinking, Writing /
$c
by Jonathan Potter.
250
$a
1st ed. 2018.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2018.
300
$a
X, 269 p. 15 illus.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
490
1
$a
Palgrave Studies in Nineteenth-Century Writing and Culture,
$x
2634-6494
505
0
$a
1. Introduction: The Technological Imagination -- 2.Simultaneity and Fractal Time: The Panoramic Desire to See All -- 3. ‘Lost in Air’: The Magic Lantern and Visual Experiences of Balloons and Dreams -- 4. The Dissolving View and the Historical Imagination -- 5. Visions of Thought: Mid-century Science and Visual Knowledge -- 6. ‘Hocus Focus’: The Stereoscope and Everyday Imagination -- 7. The Networked World: The Psychopathology of Simultaneity -- 8. The Web of Realities: A Fractal Episteme -- 9.Conclusion.
520
$a
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.
650
0
$a
Literature, Modern—19th century.
$3
1253622
650
0
$a
British literature.
$3
996807
650
1 4
$a
Nineteenth-Century Literature.
$3
1105373
650
2 4
$a
British and Irish Literature.
$3
1104874
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783319897363
776
0 8
$i
Printed edition:
$z
9783319897387
776
0 8
$i
Printed edition:
$z
9783030078423
830
0
$a
Palgrave Studies in Nineteenth-Century Writing and Culture,
$x
2634-6494
$3
1255469
856
4 0
$u
https://doi.org/10.1007/978-3-319-89737-0
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入