國立虎尾科技大學 |

European Television Crime Drama and Beyond

Record Type:	Language materials, printed : Monograph/item
Title/Author:	European Television Crime Drama and Beyond/ edited by Kim Toft Hansen, Steven Peacock, Sue Turnbull.
other author:	Toft Hansen, Kim.
Description:	XV, 294 p. 8 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Ethnology—Europe. -
Online resource:	https://doi.org/10.1007/978-3-319-96887-2
ISBN:	9783319968872

European Television Crime Drama and Beyond
European Television Crime Drama and Beyond[electronic resource] /edited by Kim Toft Hansen, Steven Peacock, Sue Turnbull. - 1st ed. 2018. - XV, 294 p. 8 illus. in color.online resource. - Palgrave European Film and Media Studies,2634-615X. - Palgrave European Film and Media Studies,.

1. Down these European mean streets:Contemporary issues in European television crime drama, Kim Toft Hansen, Steven Peacock and Sue Turnbull -- Section I: Noir Aesthetics -- 2. Framing Nordic noir: From Film Noir to High-End Television Drama, Audun Engelstad -- 3. The Rise of “Bright Noir”: Redemption and Moral Optimism in American Contemporary TV Noir, Alberto N. García -- 4. Melancholy and Murder: Feelings, Atmosphere and Social Criticism in Television Crime Series, Gunhild Agger and Anne Marit Waade -- 5. Locating sound in UK/US television crime drama: The affective impact of sound effects and music in Happy Valley and Hannibal, Lucy Donaldson -- 6. Seriousness, ordinariness, and “actual police work”: British and American TV crime dramas True Detective, Suspects and Cuffs, Helen Piper -- Section II: Noir Regionalism and Transnationalism -- 7. Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places, Elke Weissmann -- 8. The transnational appeal of the Italian Mafia story, Milly Buonanno -- 9. The Rise of Noir in the Sun: Spanish Crime Drama and Contemporary Television Drama Production, Concepción Cascajosa Virino -- 10. Crime Scene Germany: Regionalism, Audiences, and the German Public Broadcasting System, Susanne Eichner -- 11. Searching for ‘Aura’ in Cinayet: Audience Reception of the Turkish Remake of Forbrydelsen, Yesim Kaptan -- Section III: Noir Market Value -- 12. Local noir and local identity: Norskov and the spatial implications of branded content, Jørgen Riber Christensen and Kim Toft Hansen -- 13. The Flemish TV Market: Crime drama as a driver for market sustainability?, Tim Raats -- 14. Secret City and Micromarkets: The ‘Global Noir Audience’ for Australian Crime Drama, Sue Turnbull and Marion McCutcheon -- 15. Saga’s Story: Emotional engagement in the production and reception of The Bridge, Annette Hill.

This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the ‘European-ness’ of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond. .

ISBN: 9783319968872

Standard No.: 10.1007/978-3-319-96887-2doiSubjects--Topical Terms:

1253895
Ethnology—Europe.

LC Class. No.: GN575-585

Dewey Class. No.: 306.094

European Television Crime Drama and Beyond
LDR:04459nam a22004095i 4500 001 991067
003 DE-He213
005 20200930214333.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319968872 $9 978-3-319-96887-2
024 7 $a 10.1007/978-3-319-96887-2 $2 doi
035 $a 978-3-319-96887-2
050 4 $a GN575-585
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 306.094 $2 23
245 1 0 $a European Television Crime Drama and Beyond $h [electronic resource] / $c edited by Kim Toft Hansen, Steven Peacock, Sue Turnbull.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a XV, 294 p. 8 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave European Film and Media Studies, $x 2634-615X
505 0 $a 1. Down these European mean streets:Contemporary issues in European television crime drama, Kim Toft Hansen, Steven Peacock and Sue Turnbull -- Section I: Noir Aesthetics -- 2. Framing Nordic noir: From Film Noir to High-End Television Drama, Audun Engelstad -- 3. The Rise of “Bright Noir”: Redemption and Moral Optimism in American Contemporary TV Noir, Alberto N. García -- 4. Melancholy and Murder: Feelings, Atmosphere and Social Criticism in Television Crime Series, Gunhild Agger and Anne Marit Waade -- 5. Locating sound in UK/US television crime drama: The affective impact of sound effects and music in Happy Valley and Hannibal, Lucy Donaldson -- 6. Seriousness, ordinariness, and “actual police work”: British and American TV crime dramas True Detective, Suspects and Cuffs, Helen Piper -- Section II: Noir Regionalism and Transnationalism -- 7. Local, National, Transnational: Y Gwyll/Hinterland as Crime of/for all Places, Elke Weissmann -- 8. The transnational appeal of the Italian Mafia story, Milly Buonanno -- 9. The Rise of Noir in the Sun: Spanish Crime Drama and Contemporary Television Drama Production, Concepción Cascajosa Virino -- 10. Crime Scene Germany: Regionalism, Audiences, and the German Public Broadcasting System, Susanne Eichner -- 11. Searching for ‘Aura’ in Cinayet: Audience Reception of the Turkish Remake of Forbrydelsen, Yesim Kaptan -- Section III: Noir Market Value -- 12. Local noir and local identity: Norskov and the spatial implications of branded content, Jørgen Riber Christensen and Kim Toft Hansen -- 13. The Flemish TV Market: Crime drama as a driver for market sustainability?, Tim Raats -- 14. Secret City and Micromarkets: The ‘Global Noir Audience’ for Australian Crime Drama, Sue Turnbull and Marion McCutcheon -- 15. Saga’s Story: Emotional engagement in the production and reception of The Bridge, Annette Hill.
520 $a This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the ‘European-ness’ of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond. .
650 0 $a Ethnology—Europe. $3 1253895
650 0 $a Motion pictures—European influences. $3 1255460
650 1 4 $a European Culture. $3 1107949
650 2 4 $a European Cinema and TV. $3 1211764
700 1 $a Toft Hansen, Kim. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1211758
700 1 $a Peacock, Steven. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1211759
700 1 $a Turnbull, Sue. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1211760
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319968865
776 0 8 $i Printed edition: $z 9783319968889
776 0 8 $i Printed edition: $z 9783030403850
830 0 $a Palgrave European Film and Media Studies, $x 2634-615X $3 1255978
856 4 0 $u https://doi.org/10.1007/978-3-319-96887-2
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)