國立虎尾科技大學 |

The Formation of Chinese Art Cinema = 1990–2003 /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The Formation of Chinese Art Cinema/ by Li Yang.
Reminder of title:	1990–2003 /
Author:	Yang, Li.
Description:	XII, 228 p. 21 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion pictures—Asia. -
Online resource:	https://doi.org/10.1007/978-3-319-97211-4
ISBN:	9783319972114

The Formation of Chinese Art Cinema = 1990–2003 /
Yang, Li.

The Formation of Chinese Art Cinema1990–2003 /[electronic resource] :by Li Yang. - 1st ed. 2018. - XII, 228 p. 21 illus. in color.online resource.

1. Introduction -- Part I. Institution -- 2. The Socialist Film System -- 3. Separation of Production -- 4. Institutions of Consecration -- Part II. Aesthetics -- 5. In the Mix: The Early Sixth Generation Cinema -- 6. The Impulse to Record: The Neorealist Style -- 7. The World of Psychological and Symbolic Complexity: The Expressionist Style -- Conclusion.

The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers. Through an exploration of the production and consecration mechanisms of the new art wave and its representative styles, this book argues that the art wave of the 1990s fundamentally defined Chinese art cinema. In particular, this vital art wave was not enabled by democratic liberalism, but by the specific industrial development, in which the film system transitioned from Socialist propaganda into a commercialized entity. Allowing Chinese art film to grow but at the same time denying its legitimacy, this paradoxical transition process shaped Chinese art film’s institutional and aesthetical alternative positioning, which eventually helped consolidate the art wave into art cinema. Ultimately, this book is a history of the Chinese portion of global art cinema, which also reveals the complex Chinese cultural experiences during the Reform Era.

ISBN: 9783319972114

Standard No.: 10.1007/978-3-319-97211-4doiSubjects--Topical Terms:

1254171
Motion pictures—Asia.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4095

The Formation of Chinese Art Cinema = 1990–2003 /
LDR:02863nam a22003975i 4500 001 991075
003 DE-He213
005 20200630062226.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319972114 $9 978-3-319-97211-4
024 7 $a 10.1007/978-3-319-97211-4 $2 doi
035 $a 978-3-319-97211-4
050 4 $a PN1993-1999
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4095 $2 23
100 1 $a Yang, Li. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1142581
245 1 4 $a The Formation of Chinese Art Cinema $h [electronic resource] : $b 1990–2003 / $c by Li Yang.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a XII, 228 p. 21 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction -- Part I. Institution -- 2. The Socialist Film System -- 3. Separation of Production -- 4. Institutions of Consecration -- Part II. Aesthetics -- 5. In the Mix: The Early Sixth Generation Cinema -- 6. The Impulse to Record: The Neorealist Style -- 7. The World of Psychological and Symbolic Complexity: The Expressionist Style -- Conclusion.
520 $a The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers. Through an exploration of the production and consecration mechanisms of the new art wave and its representative styles, this book argues that the art wave of the 1990s fundamentally defined Chinese art cinema. In particular, this vital art wave was not enabled by democratic liberalism, but by the specific industrial development, in which the film system transitioned from Socialist propaganda into a commercialized entity. Allowing Chinese art film to grow but at the same time denying its legitimacy, this paradoxical transition process shaped Chinese art film’s institutional and aesthetical alternative positioning, which eventually helped consolidate the art wave into art cinema. Ultimately, this book is a history of the Chinese portion of global art cinema, which also reveals the complex Chinese cultural experiences during the Reform Era.
650 0 $a Motion pictures—Asia. $3 1254171
650 0 $a Ethnology—Asia. $3 1254172
650 0 $a Motion pictures. $3 562481
650 0 $a Motion pictures—History. $3 1254173
650 0 $a Film genres. $3 656792
650 1 4 $a Asian Cinema and TV. $3 1227744
650 2 4 $a Asian Culture. $3 1107945
650 2 4 $a Film Theory. $3 1108149
650 2 4 $a Film History. $3 1105134
650 2 4 $a Genre. $3 1108142
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319972107
776 0 8 $i Printed edition: $z 9783319972121
776 0 8 $i Printed edition: $z 9783030405243
856 4 0 $u https://doi.org/10.1007/978-3-319-97211-4
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)