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Memory and Enlightenment = Cultural Afterlives of the Long Eighteenth Century /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Memory and Enlightenment/ by James Ward.
Reminder of title:	Cultural Afterlives of the Long Eighteenth Century /
Author:	Ward, James.
Description:	VIII, 251 p. 9 illus.online resource. :
Contained By:	Springer Nature eBook
Subject:	Communication. -
Online resource:	https://doi.org/10.1007/978-3-319-96710-3
ISBN:	9783319967103

Memory and Enlightenment = Cultural Afterlives of the Long Eighteenth Century /
Ward, James.

Memory and EnlightenmentCultural Afterlives of the Long Eighteenth Century /[electronic resource] :by James Ward. - 1st ed. 2018. - VIII, 251 p. 9 illus.online resource. - Palgrave Macmillan Memory Studies,2634-6257. - Palgrave Macmillan Memory Studies,.

Acknowledgements -- 1.Introduction – Theatres of Memory -- 2.Restorations -- 3.‘Ever-haunting Hogarth’: Remembering the Hogarthian Progress -- 4.Emma Donoghue’s Enlightenment Fictions -- 5.Memory and Enlightenment in the Poetry of Eavan Boland and Medbh McGuckian -- 6.The Recruiting Officer in the Penal Colony -- 7.Memory and Atrocity: Representing the Zong.-8.Conclusion -- Bibliography.

This book illuminates how the ‘long eighteenth century’ (1660-1800) persists in our present through screen and performance media, writing and visual art. Tracing the afterlives of the period from the 1980s to the present, it argues that these emerging and changing forms stage the period as a point of origin for the grounding of individual identity in personal memory, and as a site of foundational traumas that shape cultural memory. .

ISBN: 9783319967103

Standard No.: 10.1007/978-3-319-96710-3doiSubjects--Topical Terms:

556422
Communication.

LC Class. No.: P87-96

Dewey Class. No.: 302.23

Memory and Enlightenment = Cultural Afterlives of the Long Eighteenth Century /
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520 $a This book illuminates how the ‘long eighteenth century’ (1660-1800) persists in our present through screen and performance media, writing and visual art. Tracing the afterlives of the period from the 1980s to the present, it argues that these emerging and changing forms stage the period as a point of origin for the grounding of individual identity in personal memory, and as a site of foundational traumas that shape cultural memory. .
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