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A Poetics of Editing
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SpringerLink (Online service)
A Poetics of Editing
Record Type:
Language materials, printed : Monograph/item
Title/Author:
A Poetics of Editing/ by Susan L. Greenberg.
Author:
Greenberg, Susan L.
Description:
XV, 265 p. 13 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature—Philosophy. -
Online resource:
https://doi.org/10.1007/978-3-319-92246-1
ISBN:
9783319922461
A Poetics of Editing
Greenberg, Susan L.
A Poetics of Editing
[electronic resource] /by Susan L. Greenberg. - 1st ed. 2018. - XV, 265 p. 13 illus.online resource.
1. The midwife and the janitor -- 2. Translations of the invisible -- 3. Editing and mind -- 4. An expectation of error -- 5. The digital present -- 6. Editing and the real -- 7. Editing in the academy -- 8.The digital romantics -- 9. A poetics of editing.
This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
ISBN: 9783319922461
Standard No.: 10.1007/978-3-319-92246-1doiSubjects--Topical Terms:
1254112
Literature—Philosophy.
LC Class. No.: PN45-57
Dewey Class. No.: 801
A Poetics of Editing
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1. The midwife and the janitor -- 2. Translations of the invisible -- 3. Editing and mind -- 4. An expectation of error -- 5. The digital present -- 6. Editing and the real -- 7. Editing in the academy -- 8.The digital romantics -- 9. A poetics of editing.
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This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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