國立虎尾科技大學 |

Musical Haptics

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Musical Haptics/ edited by Stefano Papetti, Charalampos Saitis.
其他作者:	Papetti, Stefano.
面頁冊數:	XV, 285 p. 107 illus., 58 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	User interfaces (Computer systems). -
電子資源:	https://doi.org/10.1007/978-3-319-58316-7
ISBN:	9783319583167

Musical Haptics
Musical Haptics[electronic resource] /edited by Stefano Papetti, Charalampos Saitis. - 1st ed. 2018. - XV, 285 p. 107 illus., 58 illus. in color.online resource. - Springer Series on Touch and Haptic Systems,2192-2977. - Springer Series on Touch and Haptic Systems,.

Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.

Open Access

This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.

ISBN: 9783319583167

Standard No.: 10.1007/978-3-319-58316-7doiSubjects--Topical Terms:

1253526
User interfaces (Computer systems).

LC Class. No.: QA76.9.U83

Dewey Class. No.: 005.437

Musical Haptics
LDR:03871nam a22004575i 4500 001 993063
003 DE-He213
005 20200703175813.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319583167 $9 978-3-319-58316-7
024 7 $a 10.1007/978-3-319-58316-7 $2 doi
035 $a 978-3-319-58316-7
050 4 $a QA76.9.U83
050 4 $a QA76.9.H85
072 7 $a UYZG $2 bicssc
072 7 $a COM070000 $2 bisacsh
072 7 $a UYZG $2 thema
082 0 4 $a 005.437 $2 23
082 0 4 $a 4.019 $2 23
245 1 0 $a Musical Haptics $h [electronic resource] / $c edited by Stefano Papetti, Charalampos Saitis.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2018.
300 $a XV, 285 p. 107 illus., 58 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Springer Series on Touch and Haptic Systems, $x 2192-2977
505 0 $a Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.
506 0 $a Open Access
520 $a This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
650 0 $a User interfaces (Computer systems). $3 1253526
650 0 $a Music. $3 649088
650 0 $a Cognitive psychology. $3 556029
650 1 4 $a User Interfaces and Human Computer Interaction. $3 669793
650 2 4 $a Cognitive Psychology. $3 593892
700 1 $a Papetti, Stefano. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1203527
700 1 $a Saitis, Charalampos. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1203528
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319583150
776 0 8 $i Printed edition: $z 9783319583174
776 0 8 $i Printed edition: $z 9783030096298
830 0 $a Springer Series on Touch and Haptic Systems, $x 2192-2977 $3 1264504
856 4 0 $u https://doi.org/10.1007/978-3-319-58316-7
912 $a ZDB-2-SCS
912 $a ZDB-2-SXCS
912 $a ZDB-2-SOB
950 $a Computer Science (SpringerNature-11645)
950 $a Computer Science (R0) (SpringerNature-43710)