國立虎尾科技大學 |

Realist Critiques of Visual Culture = From Hardy to Barnes /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Realist Critiques of Visual Culture/ by Edward Barnaby.
其他題名:	From Hardy to Barnes /
作者:	Barnaby, Edward.
面頁冊數:	VII, 186 p.online resource. :
Contained By:	Springer Nature eBook
標題:	Literature, Modern—20th century. -
電子資源:	https://doi.org/10.1007/978-3-319-77323-0
ISBN:	9783319773230

Realist Critiques of Visual Culture = From Hardy to Barnes /
Barnaby, Edward.

Realist Critiques of Visual CultureFrom Hardy to Barnes /[electronic resource] :by Edward Barnaby. - 1st ed. 2018. - VII, 186 p.online resource.

1. Introduction: Literary Realism as Meta-Spectacle -- 2. “Pugin was wrong, and Wren was right” – Architectural Revival as Spectacle in Thomas Hardy’s Jude the Obscure -- 3. “The true Italy is to be found by patient observation” – Tourism as Spectacle in E.M. Forster’s A Room with a View -- 4. “You’ve stirred in me my unacted part” – Historical Pageantry as Spectacle in Virginia Woolf’s Between the Acts -- 5. “Pressed against the screen” – Cinema and Photography as Spectacle in Salman Rushdie’s Midnight’s Children -- 6. “The law of white gloves” – The Museum as Spectacle in Edward Carey’s Observatory Mansions -- 7. Epilogue: “Those old soixante-huitards” – Debord as Spectacle in Julian Barnes’ England, England.

Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that transformation visible to us? This book brings Situationist Guy Debord’s Society of the Spectacle and an array of cultural criticism into dialogue with novels by Hardy, Forster, Woolf, Rushdie, Carey and Barnes to foreground literary realism’s critique of visual culture, including Gothic architectural revival, neoclassicism, tourism, historical pageantry, postcolonial cinema and photography, museums, preservationism, urbanism and artisanal neo-folk movements. Barnaby advances the concept of meta-spectacle to distinguish realist fiction that engages ethically with visual discourses from realist-ic fiction that reproduces the visible veneer of reality for aesthetic consumption. He highlights the limitations of artistic critiques of spectacle, considers their resilience toward a culture industry that continuously repackages iconoclasm as iconicity, and reflects upon the process of reorienting the reader to comprehend realist gestures. By heightening the capacity to recognize our own immersion within objectified representations of the real, Realist Critiques of Visual Culture demonstrates how literary realism remains vital within a society that is so deeply invested in visually replicating and archiving lived experience.

ISBN: 9783319773230

Standard No.: 10.1007/978-3-319-77323-0doiSubjects--Topical Terms:

1254198
Literature, Modern—20th century.

LC Class. No.: PN770-779

Dewey Class. No.: 809.04

Realist Critiques of Visual Culture = From Hardy to Barnes /
LDR:03517nam a22003975i 4500 001 993349
003 DE-He213
005 20200630122726.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319773230 $9 978-3-319-77323-0
024 7 $a 10.1007/978-3-319-77323-0 $2 doi
035 $a 978-3-319-77323-0
050 4 $a PN770-779
072 7 $a DSBH $2 bicssc
072 7 $a LIT024050 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 809.04 $2 23
100 1 $a Barnaby, Edward. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1205081
245 1 0 $a Realist Critiques of Visual Culture $h [electronic resource] : $b From Hardy to Barnes / $c by Edward Barnaby.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a VII, 186 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction: Literary Realism as Meta-Spectacle -- 2. “Pugin was wrong, and Wren was right” – Architectural Revival as Spectacle in Thomas Hardy’s Jude the Obscure -- 3. “The true Italy is to be found by patient observation” – Tourism as Spectacle in E.M. Forster’s A Room with a View -- 4. “You’ve stirred in me my unacted part” – Historical Pageantry as Spectacle in Virginia Woolf’s Between the Acts -- 5. “Pressed against the screen” – Cinema and Photography as Spectacle in Salman Rushdie’s Midnight’s Children -- 6. “The law of white gloves” – The Museum as Spectacle in Edward Carey’s Observatory Mansions -- 7. Epilogue: “Those old soixante-huitards” – Debord as Spectacle in Julian Barnes’ England, England.
520 $a Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that transformation visible to us? This book brings Situationist Guy Debord’s Society of the Spectacle and an array of cultural criticism into dialogue with novels by Hardy, Forster, Woolf, Rushdie, Carey and Barnes to foreground literary realism’s critique of visual culture, including Gothic architectural revival, neoclassicism, tourism, historical pageantry, postcolonial cinema and photography, museums, preservationism, urbanism and artisanal neo-folk movements. Barnaby advances the concept of meta-spectacle to distinguish realist fiction that engages ethically with visual discourses from realist-ic fiction that reproduces the visible veneer of reality for aesthetic consumption. He highlights the limitations of artistic critiques of spectacle, considers their resilience toward a culture industry that continuously repackages iconoclasm as iconicity, and reflects upon the process of reorienting the reader to comprehend realist gestures. By heightening the capacity to recognize our own immersion within objectified representations of the real, Realist Critiques of Visual Culture demonstrates how literary realism remains vital within a society that is so deeply invested in visually replicating and archiving lived experience.
650 0 $a Literature, Modern—20th century. $3 1254198
650 0 $a Literature, Modern—19th century. $3 1253622
650 0 $a Fiction. $3 570028
650 1 4 $a Twentieth-Century Literature. $3 1105346
650 2 4 $a Nineteenth-Century Literature. $3 1105373
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319773223
776 0 8 $i Printed edition: $z 9783319773247
776 0 8 $i Printed edition: $z 9783030084271
856 4 0 $u https://doi.org/10.1007/978-3-319-77323-0
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)