語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The Present Image = Visible Stories ...
~
Favero, Paolo S. H.
The Present Image = Visible Stories in a Digital Habitat /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Present Image/ by Paolo S. H. Favero.
其他題名:
Visible Stories in a Digital Habitat /
作者:
Favero, Paolo S. H.
面頁冊數:
IX, 127 p.online resource. :
Contained By:
Springer Nature eBook
標題:
Digital media. -
電子資源:
https://doi.org/10.1007/978-3-319-69499-3
ISBN:
9783319694993
The Present Image = Visible Stories in a Digital Habitat /
Favero, Paolo S. H.
The Present Image
Visible Stories in a Digital Habitat /[electronic resource] :by Paolo S. H. Favero. - 1st ed. 2018. - IX, 127 p.online resource.
1. Introduction: Present Images -- 2. Participated Images -- 3. Immersive Images -- 4. Material Images -- 5. Images of Living and Dying.
The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living. Paolo S. H. Favero is Associate Professor in Film Studies and Visual Culture at the University of Antwerp, Belgium. A visual anthropologist, he has devoted his career to the study of visual culture in India. His core interest is the role of images (new and old) in human life.
ISBN: 9783319694993
Standard No.: 10.1007/978-3-319-69499-3doiSubjects--Topical Terms:
555702
Digital media.
LC Class. No.: P87-96
Dewey Class. No.: 302.231
The Present Image = Visible Stories in a Digital Habitat /
LDR
:02776nam a22003975i 4500
001
993385
003
DE-He213
005
20200702160936.0
007
cr nn 008mamaa
008
201225s2018 gw | s |||| 0|eng d
020
$a
9783319694993
$9
978-3-319-69499-3
024
7
$a
10.1007/978-3-319-69499-3
$2
doi
035
$a
978-3-319-69499-3
050
4
$a
P87-96
072
7
$a
JFD
$2
bicssc
072
7
$a
SOC052000
$2
bisacsh
072
7
$a
JBCT1
$2
thema
082
0 4
$a
302.231
$2
23
100
1
$a
Favero, Paolo S. H.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1284845
245
1 4
$a
The Present Image
$h
[electronic resource] :
$b
Visible Stories in a Digital Habitat /
$c
by Paolo S. H. Favero.
250
$a
1st ed. 2018.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2018.
300
$a
IX, 127 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1. Introduction: Present Images -- 2. Participated Images -- 3. Immersive Images -- 4. Material Images -- 5. Images of Living and Dying.
520
$a
The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living. Paolo S. H. Favero is Associate Professor in Film Studies and Visual Culture at the University of Antwerp, Belgium. A visual anthropologist, he has devoted his career to the study of visual culture in India. His core interest is the role of images (new and old) in human life.
650
0
$a
Digital media.
$3
555702
650
0
$a
Ethnology.
$3
558761
650
0
$a
Culture.
$3
556041
650
0
$a
Technology.
$3
574163
650
0
$a
Anthropology.
$3
558887
650
0
$a
Communication.
$3
556422
650
1 4
$a
Digital/New Media.
$3
1116471
650
2 4
$a
Cultural Anthropology.
$3
1105071
650
2 4
$a
Culture and Technology.
$3
1116470
650
2 4
$a
Media and Communication.
$3
1107289
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783319694986
776
0 8
$i
Printed edition:
$z
9783319695006
776
0 8
$i
Printed edition:
$z
9783319887883
856
4 0
$u
https://doi.org/10.1007/978-3-319-69499-3
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入