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Black Men, Black Feminism = Lucifer'...
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SpringerLink (Online service)
Black Men, Black Feminism = Lucifer's Nocturne /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Black Men, Black Feminism/ by Jared Sexton.
Reminder of title:
Lucifer's Nocturne /
Author:
Sexton, Jared.
Description:
IX, 110 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Racism in the social sciences. -
Online resource:
https://doi.org/10.1007/978-3-319-74126-0
ISBN:
9783319741260
Black Men, Black Feminism = Lucifer's Nocturne /
Sexton, Jared.
Black Men, Black Feminism
Lucifer's Nocturne /[electronic resource] :by Jared Sexton. - 1st ed. 2018. - IX, 110 p.online resource.
1. The Devil You Know -- 2. Where Manhood Lies -- 3. Unbearable Blackness.
A brief commentary on the necessity and the impossibility of black men’s participation in the development of black feminist theory and politics, Black Men, Black Feminism examines the basic assumptions that have guided—and misguided—black men’s efforts to take up black feminism. Offering a rejoinder to the contemporary study of black men and masculinity in the twenty-first century, Jared Sexton interrogates some of the most common intellectual postures of black men writing about black feminism, ultimately departing from the prevailing discourse on progressive black masculinities. Sexton examines, by contrast, black men’s critical and creative work—from Charles Burnett’s Killer of Sheep to Jordan Peele’s Get Out— to describe the cultural logic that provides a limited moral impetus to the quest for black male feminism and that might, if reconfigured, prompt an ethical response of an entirely different order.
ISBN: 9783319741260
Standard No.: 10.1007/978-3-319-74126-0doiSubjects--Topical Terms:
1279242
Racism in the social sciences.
LC Class. No.: HM1121-1126
Dewey Class. No.: 305.8
Black Men, Black Feminism = Lucifer's Nocturne /
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A brief commentary on the necessity and the impossibility of black men’s participation in the development of black feminist theory and politics, Black Men, Black Feminism examines the basic assumptions that have guided—and misguided—black men’s efforts to take up black feminism. Offering a rejoinder to the contemporary study of black men and masculinity in the twenty-first century, Jared Sexton interrogates some of the most common intellectual postures of black men writing about black feminism, ultimately departing from the prevailing discourse on progressive black masculinities. Sexton examines, by contrast, black men’s critical and creative work—from Charles Burnett’s Killer of Sheep to Jordan Peele’s Get Out— to describe the cultural logic that provides a limited moral impetus to the quest for black male feminism and that might, if reconfigured, prompt an ethical response of an entirely different order.
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