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The Punk Turn in Comedy = Masks of Anarchy /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The Punk Turn in Comedy/ by Krista Bonello Rutter Giappone.
Reminder of title:	Masks of Anarchy /
Author:	Bonello Rutter Giappone, Krista.
Description:	XI, 254 p. 4 illus., 3 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Popular Culture. -
Online resource:	https://doi.org/10.1007/978-3-319-72841-4
ISBN:	9783319728414

The Punk Turn in Comedy = Masks of Anarchy /
Bonello Rutter Giappone, Krista.

The Punk Turn in ComedyMasks of Anarchy /[electronic resource] :by Krista Bonello Rutter Giappone. - 1st ed. 2018. - XI, 254 p. 4 illus., 3 illus. in color.online resource. - Palgrave Studies in Comedy. - Palgrave Studies in Comedy.

1. Introduction -- 2. Peter Cook: Missing Links -- 3. The 'Alternative' -- 4. Attitudes Towards the Past -- 5. Styling the Amateur -- 6. The Role of the Audience -- 7. Modes of Dis-/Engagement -- 8. Power-Play -- 9. 'Style Without Affectation': Honesty and Performance -- 10. Boundaries of the [Un]Said -- 11. Conclusion.

This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies. .

ISBN: 9783319728414

Standard No.: 10.1007/978-3-319-72841-4doiSubjects--Topical Terms:

1115695
Popular Culture.

LC Class. No.: HM621-656

Dewey Class. No.: 306

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505 0 $a 1. Introduction -- 2. Peter Cook: Missing Links -- 3. The 'Alternative' -- 4. Attitudes Towards the Past -- 5. Styling the Amateur -- 6. The Role of the Audience -- 7. Modes of Dis-/Engagement -- 8. Power-Play -- 9. 'Style Without Affectation': Honesty and Performance -- 10. Boundaries of the [Un]Said -- 11. Conclusion.
520 $a This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies. .
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