Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Marcel Duchamp’s Fountain = One Hund...
~
Kilroy, Robert.
Marcel Duchamp’s Fountain = One Hundred Years Later /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Marcel Duchamp’s Fountain/ by Robert Kilroy.
Reminder of title:
One Hundred Years Later /
Author:
Kilroy, Robert.
Description:
XIII, 168 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Fine arts. -
Online resource:
https://doi.org/10.1007/978-3-319-69158-9
ISBN:
9783319691589
Marcel Duchamp’s Fountain = One Hundred Years Later /
Kilroy, Robert.
Marcel Duchamp’s Fountain
One Hundred Years Later /[electronic resource] :by Robert Kilroy. - 1st ed. 2018. - XIII, 168 p.online resource.
1. Chapter 1 Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage -- 2. Part I Reopening “The Richard Mutt Case”: Fountain in 2017. Chapter 2 Art History and Psychoanalysis Today -- 3. Chapter 3 Duchamp with Lacan through Žižek -- 4. Part II Revisiting the Crime Scene: Fountain’s Reception. Chapter 4 Art Historian as Analyst as Detective -- 5. Chapter 5 The Facts and Curious Features of the Case -- 6. Part III Retracing the Crime: Fountain Stripped Bare. Chapter 6 The Artist -- 7. Chapter 7 The Onlooker -- 8. Chapter 8 The Spectator -- 9. Chapter 9 Tasty Affairs -- 10. Part IV Resolving the Crime: Fountain’s Legacy. Chapter 10 Posterity -- 11. Chapter 11 The Lighthouse -- 12. Chapter 12 The One-Man Show and the Dealer -- 13. Chapter 13 The Art Historian.
This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.
ISBN: 9783319691589
Standard No.: 10.1007/978-3-319-69158-9doiSubjects--Topical Terms:
1112523
Fine arts.
LC Class. No.: NX1-820
Dewey Class. No.: 700
Marcel Duchamp’s Fountain = One Hundred Years Later /
LDR
:03009nam a22003975i 4500
001
993859
003
DE-He213
005
20200705012307.0
007
cr nn 008mamaa
008
201225s2018 gw | s |||| 0|eng d
020
$a
9783319691589
$9
978-3-319-69158-9
024
7
$a
10.1007/978-3-319-69158-9
$2
doi
035
$a
978-3-319-69158-9
050
4
$a
NX1-820
072
7
$a
AF
$2
bicssc
072
7
$a
ART009000
$2
bisacsh
072
7
$a
AF
$2
thema
082
0 4
$a
700
$2
23
100
1
$a
Kilroy, Robert.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1285268
245
1 0
$a
Marcel Duchamp’s Fountain
$h
[electronic resource] :
$b
One Hundred Years Later /
$c
by Robert Kilroy.
250
$a
1st ed. 2018.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Pivot,
$c
2018.
300
$a
XIII, 168 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1. Chapter 1 Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage -- 2. Part I Reopening “The Richard Mutt Case”: Fountain in 2017. Chapter 2 Art History and Psychoanalysis Today -- 3. Chapter 3 Duchamp with Lacan through Žižek -- 4. Part II Revisiting the Crime Scene: Fountain’s Reception. Chapter 4 Art Historian as Analyst as Detective -- 5. Chapter 5 The Facts and Curious Features of the Case -- 6. Part III Retracing the Crime: Fountain Stripped Bare. Chapter 6 The Artist -- 7. Chapter 7 The Onlooker -- 8. Chapter 8 The Spectator -- 9. Chapter 9 Tasty Affairs -- 10. Part IV Resolving the Crime: Fountain’s Legacy. Chapter 10 Posterity -- 11. Chapter 11 The Lighthouse -- 12. Chapter 12 The One-Man Show and the Dealer -- 13. Chapter 13 The Art Historian.
520
$a
This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.
650
0
$a
Fine arts.
$3
1112523
650
0
$a
Aesthetics.
$3
555008
650
0
$a
Psychoanalysis.
$3
555654
650
0
$a
Culture—Study and teaching.
$3
1253505
650
1 4
$a
Fine Arts.
$3
668337
650
2 4
$a
Cultural Theory.
$3
1108078
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783319691572
776
0 8
$i
Printed edition:
$z
9783319691596
776
0 8
$i
Printed edition:
$z
9783319887210
856
4 0
$u
https://doi.org/10.1007/978-3-319-69158-9
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login