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Modern Marriage and the Lyric Sequence
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SpringerLink (Online service)
Modern Marriage and the Lyric Sequence
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Modern Marriage and the Lyric Sequence/ by Jane Hedley.
Author:
Hedley, Jane.
Description:
XI, 239 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Poetry. -
Online resource:
https://doi.org/10.1007/978-3-319-78157-0
ISBN:
9783319781570
Modern Marriage and the Lyric Sequence
Hedley, Jane.
Modern Marriage and the Lyric Sequence
[electronic resource] /by Jane Hedley. - 1st ed. 2018. - XI, 239 p.online resource.
Chapter 1: Introduction: Modern Marriage and the Lyric Sequence -- Chapter 2: Resources and Lineage: Meredith’s “Modern Love” -- Chapter 3: Time in the Context of Marriage -- Chapter 4: Making Us See Time -- Chapter 5: He said, She said: The Conversation That is a Marriage -- Chapter 6: Marital Dialoguein extremis -- Chapter 7: Triangulating the Marital Dyad -- Chapter 8: Telemachus’ Burden -- Chapter 9: Gay Marriage: Something Old, Something New -- Index.
Modern Marriage and the Lyric Sequence investigates the ways in which some of our best poets writing in English have used poetic sequences to capture the lived experience of marriage. Beginning in 1862 with George Meredith’s Modern Love, Jane Hedley’s study utilizes the rubrics of temporality, dialogue, and triangulation to bring a deeply rooted and vitally interesting poetic genre into focus. Its twentieth- and twenty-first-century practitioners have included Edna St. Vincent Millay, Robert Lowell, Rita Dove, Eavan Boland, Louise Glück, Anne Carson, Ted Hughes, Claudia Emerson, Rachel Zucker, and Sharon Olds. In their poetic sequences the flourishing or failure of a particular marriage is always at stake, but as that relationship plays out over time, each sequence also speaks to larger questions: why we marry, what a marriage is, what our collective stake is in other people’s marriages. In the book’s final chapter gay marriage presents a fresh testing ground for these questions, in light of the US Supreme Court’s affirmation of same-sex marriage.
ISBN: 9783319781570
Standard No.: 10.1007/978-3-319-78157-0doiSubjects--Topical Terms:
649958
Poetry.
LC Class. No.: PN1010-1551
Dewey Class. No.: 809.1
Modern Marriage and the Lyric Sequence
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Chapter 1: Introduction: Modern Marriage and the Lyric Sequence -- Chapter 2: Resources and Lineage: Meredith’s “Modern Love” -- Chapter 3: Time in the Context of Marriage -- Chapter 4: Making Us See Time -- Chapter 5: He said, She said: The Conversation That is a Marriage -- Chapter 6: Marital Dialoguein extremis -- Chapter 7: Triangulating the Marital Dyad -- Chapter 8: Telemachus’ Burden -- Chapter 9: Gay Marriage: Something Old, Something New -- Index.
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Modern Marriage and the Lyric Sequence investigates the ways in which some of our best poets writing in English have used poetic sequences to capture the lived experience of marriage. Beginning in 1862 with George Meredith’s Modern Love, Jane Hedley’s study utilizes the rubrics of temporality, dialogue, and triangulation to bring a deeply rooted and vitally interesting poetic genre into focus. Its twentieth- and twenty-first-century practitioners have included Edna St. Vincent Millay, Robert Lowell, Rita Dove, Eavan Boland, Louise Glück, Anne Carson, Ted Hughes, Claudia Emerson, Rachel Zucker, and Sharon Olds. In their poetic sequences the flourishing or failure of a particular marriage is always at stake, but as that relationship plays out over time, each sequence also speaks to larger questions: why we marry, what a marriage is, what our collective stake is in other people’s marriages. In the book’s final chapter gay marriage presents a fresh testing ground for these questions, in light of the US Supreme Court’s affirmation of same-sex marriage.
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