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Boys, Bass and Bother = Popular Danc...
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Hall, Jo.
Boys, Bass and Bother = Popular Dance and Identity in UK Drum ’n’ Bass Club Culture /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Boys, Bass and Bother/ by Jo Hall.
其他題名:
Popular Dance and Identity in UK Drum ’n’ Bass Club Culture /
作者:
Hall, Jo.
面頁冊數:
XI, 245 p. 5 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Dance. -
電子資源:
https://doi.org/10.1057/978-1-137-37511-7
ISBN:
9781137375117
Boys, Bass and Bother = Popular Dance and Identity in UK Drum ’n’ Bass Club Culture /
Hall, Jo.
Boys, Bass and Bother
Popular Dance and Identity in UK Drum ’n’ Bass Club Culture /[electronic resource] :by Jo Hall. - 1st ed. 2018. - XI, 245 p. 5 illus.online resource.
1. Mapping the multifarious -- 2. Complex identities -- 3. Origin Unknown -- 4. Inner City Life -- 5. Original Nuttah -- 6. Super Sharp Shooter -- 7. Heterocorporealities.
This book uses ethnographic research to examine the role of dance in the construction of identity in the distinctly British electronic dance music club culture of drum ’n’ bass. Dancing is revealed as the central way in which drum ’n’ bass clubbers construct and perform their identities, which are informed, although not defined, by the club culture’s histories. The intertextual and intercultural development of drum ’n’ bass musical and clubbing culture is shown to be represented in the dancing body, prompting a challenge to the discourse of cultural appropriation. Popular representations of identities are embodied by drum ’n’ bass clubbers through affective transmission via the popular screen, and in this process are re-valued in their embodiment. Using a socially orientated understanding of intertextuality, the popular dancing body is shown to be heterocorporeal: containing traces of prior meaning and logic yet replete with new meaning and significance. .
ISBN: 9781137375117
Standard No.: 10.1057/978-1-137-37511-7doiSubjects--Topical Terms:
556850
Dance.
LC Class. No.: PN1560-1590
Dewey Class. No.: 792.8
Boys, Bass and Bother = Popular Dance and Identity in UK Drum ’n’ Bass Club Culture /
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This book uses ethnographic research to examine the role of dance in the construction of identity in the distinctly British electronic dance music club culture of drum ’n’ bass. Dancing is revealed as the central way in which drum ’n’ bass clubbers construct and perform their identities, which are informed, although not defined, by the club culture’s histories. The intertextual and intercultural development of drum ’n’ bass musical and clubbing culture is shown to be represented in the dancing body, prompting a challenge to the discourse of cultural appropriation. Popular representations of identities are embodied by drum ’n’ bass clubbers through affective transmission via the popular screen, and in this process are re-valued in their embodiment. Using a socially orientated understanding of intertextuality, the popular dancing body is shown to be heterocorporeal: containing traces of prior meaning and logic yet replete with new meaning and significance. .
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