國立虎尾科技大學 |

Screen Production Research = Creative Practice as a Mode of Enquiry /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Screen Production Research/ edited by Craig Batty, Susan Kerrigan.
其他題名:	Creative Practice as a Mode of Enquiry /
其他作者:	Batty, Craig.
面頁冊數:	XXVI, 253 p. 17 illus., 13 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Motion pictures - Production and direction. -
電子資源:	https://doi.org/10.1007/978-3-319-62837-0
ISBN:	9783319628370

Screen Production Research = Creative Practice as a Mode of Enquiry /
Screen Production ResearchCreative Practice as a Mode of Enquiry /[electronic resource] :edited by Craig Batty, Susan Kerrigan. - 1st ed. 2018. - XXVI, 253 p. 17 illus., 13 illus. in color.online resource.

1. Introduction -- 2. A ‘Logical’ Explanation of Screen Production as Method-Led Research - Susan Kerrigan -- 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley -- 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell -- 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker -- 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre -- 7. Ethnography and Screen Production Research - Marsha Berry -- 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen -- 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh -- 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma -- 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham -- 12. Peter Kennedy’s The Photographs’ Story: the Dialectical Image as Research - John Hughes -- 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic -- 14. Afterword: Tacit Knowledge and Affect – Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. .

Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like—and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international experts as well as case studies from a range of forms and genres—including screenwriting, fiction filmmaking, documentary production and mobile media practice—the book is an essential guide for those interested in the rich relationship between theory and practice. It provides theories, models, tools and best practice examples that students and researchers can follow and expand upon in their own screen production projects.

ISBN: 9783319628370

Standard No.: 10.1007/978-3-319-62837-0doiSubjects--Topical Terms:

656878
Motion pictures
--Production and direction.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4

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