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Japanese Horror and the Transnationa...
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Brown, Steven T.
Japanese Horror and the Transnational Cinema of Sensations
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Japanese Horror and the Transnational Cinema of Sensations/ by Steven T. Brown.
Author:
Brown, Steven T.
Description:
XVI, 330 p. 62 illus., 49 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Motion pictures—Asia. -
Online resource:
https://doi.org/10.1007/978-3-319-70629-0
ISBN:
9783319706290
Japanese Horror and the Transnational Cinema of Sensations
Brown, Steven T.
Japanese Horror and the Transnational Cinema of Sensations
[electronic resource] /by Steven T. Brown. - 1st ed. 2018. - XVI, 330 p. 62 illus., 49 illus. in color.online resource. - East Asian Popular Culture,2634-5935. - East Asian Popular Culture,.
1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgängers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
ISBN: 9783319706290
Standard No.: 10.1007/978-3-319-70629-0doiSubjects--Topical Terms:
1254171
Motion pictures—Asia.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4095
Japanese Horror and the Transnational Cinema of Sensations
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1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgängers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
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Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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