國立虎尾科技大學 |

The Mediatization of the Artist

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Mediatization of the Artist/ edited by Rachel Esner, Sandra Kisters.
其他作者:	Esner, Rachel.
面頁冊數:	XXI, 269 p. 39 illus., 22 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Communication. -
電子資源:	https://doi.org/10.1007/978-3-319-66230-5
ISBN:	9783319662305

The Mediatization of the Artist
The Mediatization of the Artist[electronic resource] /edited by Rachel Esner, Sandra Kisters. - 1st ed. 2018. - XXI, 269 p. 39 illus., 22 illus. in color.online resource.

1. Introduction -- 2. “At Home”: Visiting the Artist’s Studio in the Nineteenth-Century French Illustrated Press - Rachel Esner -- 3. Success Stories and Martyrologies: Images of Artists in Elsevier’s Geïllustreerde Maandschrift - Liekse Tibbe.- 4. “Les épisodes de la vie d’un artiste intéressent beaucoup.” The Power of the Media and How To Use It: An Exploration of Ensor’s Self-Mediatization - Herwig Todts -- 5. Artists’ Confessions to Tériade in L’Intransigeant, 1928-29: The Construction of a Public Image - Poppy Sfakianaki -- 6. Life’s Pioneer Painters: Dorothy Seiberling and American Art in Life Magazine, 1949−1968 - Melissa Renn -- 7. Creative Process and Magic: Artists on Screen in the 1940s - Pierre Saurisse -- 8. COBRA. Canvas, and Camera: Luc de Heusch Filming Alechinsky and Dotremont at Work - Steven Jacobs -- 9. In Bed with Marina Abramovic: Mediatizing Women’s Art as Personal Drama - Marcel Bleuler -- 10. Derek Jarman’s Caravaggio and the Aesthetic Regime of Art - Marco de Waard -- 11. Interviewing the Artist: Richter versus Bacon - Sandra Kisters -- 12. The Myth of the Artist in Children’s Illustrated Literature - Laura Bravo -- 13. A Physiology of the Inglorious Artist in Early Nineteenth-Century Paris - Kathryn Desplanque -- 14. Mythologies of the Artist in Modern India: The Many Lives of Raja Ravi Varma - Niharika Dinkar -- 15. Mediated Art History in Biopics: The Interplay of Myths and Media in Pollock - Doris Berger -- 16. The Glory of the Artist - Alain Bonnet.

This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?

ISBN: 9783319662305

Standard No.: 10.1007/978-3-319-66230-5doiSubjects--Topical Terms:

556422
Communication.

LC Class. No.: P87-96

Dewey Class. No.: 302.23

The Mediatization of the Artist
LDR:04079nam a22003975i 4500 001 997705
003 DE-He213
005 20200705011655.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319662305 $9 978-3-319-66230-5
024 7 $a 10.1007/978-3-319-66230-5 $2 doi
035 $a 978-3-319-66230-5
050 4 $a P87-96
072 7 $a JFD $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a JBCT $2 thema
082 0 4 $a 302.23 $2 23
245 1 4 $a The Mediatization of the Artist $h [electronic resource] / $c edited by Rachel Esner, Sandra Kisters.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a XXI, 269 p. 39 illus., 22 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. Introduction -- 2. “At Home”: Visiting the Artist’s Studio in the Nineteenth-Century French Illustrated Press - Rachel Esner -- 3. Success Stories and Martyrologies: Images of Artists in Elsevier’s Geïllustreerde Maandschrift - Liekse Tibbe.- 4. “Les épisodes de la vie d’un artiste intéressent beaucoup.” The Power of the Media and How To Use It: An Exploration of Ensor’s Self-Mediatization - Herwig Todts -- 5. Artists’ Confessions to Tériade in L’Intransigeant, 1928-29: The Construction of a Public Image - Poppy Sfakianaki -- 6. Life’s Pioneer Painters: Dorothy Seiberling and American Art in Life Magazine, 1949−1968 - Melissa Renn -- 7. Creative Process and Magic: Artists on Screen in the 1940s - Pierre Saurisse -- 8. COBRA. Canvas, and Camera: Luc de Heusch Filming Alechinsky and Dotremont at Work - Steven Jacobs -- 9. In Bed with Marina Abramovic: Mediatizing Women’s Art as Personal Drama - Marcel Bleuler -- 10. Derek Jarman’s Caravaggio and the Aesthetic Regime of Art - Marco de Waard -- 11. Interviewing the Artist: Richter versus Bacon - Sandra Kisters -- 12. The Myth of the Artist in Children’s Illustrated Literature - Laura Bravo -- 13. A Physiology of the Inglorious Artist in Early Nineteenth-Century Paris - Kathryn Desplanque -- 14. Mythologies of the Artist in Modern India: The Many Lives of Raja Ravi Varma - Niharika Dinkar -- 15. Mediated Art History in Biopics: The Interplay of Myths and Media in Pollock - Doris Berger -- 16. The Glory of the Artist - Alain Bonnet.
520 $a This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?
650 0 $a Communication. $3 556422
650 0 $a Fine arts. $3 1112523
650 0 $a Culture. $3 556041
650 0 $a Digital media. $3 555702
650 0 $a Culture—Study and teaching. $3 1253505
650 1 4 $a Media and Communication. $3 1107289
650 2 4 $a Fine Arts. $3 668337
650 2 4 $a Global/International Culture. $3 1115696
650 2 4 $a Digital/New Media. $3 1116471
650 2 4 $a Cultural Theory. $3 1108078
700 1 $a Esner, Rachel. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1289092
700 1 $a Kisters, Sandra. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1289093
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319662299
776 0 8 $i Printed edition: $z 9783319662312
776 0 8 $i Printed edition: $z 9783319882000
856 4 0 $u https://doi.org/10.1007/978-3-319-66230-5
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)