國立虎尾科技大學 |

International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	International Relations, Music and Diplomacy / edited by Frédéric Ramel, Cécile Prévost-Thomas.
其他題名:	Sounds and Voices on the International Stage /
其他作者:	Ramel, Frédéric.
面頁冊數:	XVII, 297 p. 2 illus., 1 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	International relations. -
電子資源:	https://doi.org/10.1007/978-3-319-63163-9
ISBN:	9783319631639

International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /
International Relations, Music and Diplomacy Sounds and Voices on the International Stage /[electronic resource] :edited by Frédéric Ramel, Cécile Prévost-Thomas. - 1st ed. 2018. - XVII, 297 p. 2 illus., 1 illus. in color.online resource. - The Sciences Po Series in International Relations and Political Economy. - The Sciences Po Series in International Relations and Political Economy.

1. Introduction. Understanding Musical Diplomacies: Movements on the “Scenes” -- 2. Europe in Rome / Rome in Europe: Diplomacy as a Network of Cultural Exchanges -- 3. Eighteenth-Century Diplomats as Musical Agents -- 4. Targeting New Music in Postwar Europe: American Cultural Diplomacy in the Crafting of Art Music Avant-Garde Scenes -- 5. The Diplomatic Viol -- 6. The Diplomat's Music Test: Branding New and Old Diplomacy at the Beginnings of the Nineteenth and Twenty-First Centuries -- 7. Schaeffer, Boulez and the Everyday Diplomacies of French Decolonization -- 8. Negotiating the Pitch: For a Diplomatic A, at the Crossroads of Politics, Music, Science and Industry -- 9. Music, Diplomacy and International Solidarity: The Campaign for Miguel Angel Estrella (1977-1980) -- 10. The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States -- 11. Music That Divides: The Case of Russian Musical Diplomacy in the Baltic States -- 12. Of Dreams and Desire: Diplomacy and Musical Nation Branding Since the Early Modern Period.

This volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of “musical diplomacies” and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena. Frédéric Ramel is Full Professor and Head of the Political Science Department at Sciences Po, Centre de Recherches Internationales, France. Cécile Prévost-Thomas is Associate Professor in Sociology of Music at the University Sorbonne Nouvelle - Paris 3, Centre de Recherche sur les Liens Sociaux, France.

ISBN: 9783319631639

Standard No.: 10.1007/978-3-319-63163-9doiSubjects--Topical Terms:

554886
International relations.

LC Class. No.: JZ2-6530

Dewey Class. No.: 327.101

International Relations, Music and Diplomacy = Sounds and Voices on the International Stage /
LDR:03721nam a22004095i 4500 001 998188
003 DE-He213
005 20200705073053.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319631639 $9 978-3-319-63163-9
024 7 $a 10.1007/978-3-319-63163-9 $2 doi
035 $a 978-3-319-63163-9
050 4 $a JZ2-6530
072 7 $a JPS $2 bicssc
072 7 $a POL011000 $2 bisacsh
072 7 $a JPS $2 thema
082 0 4 $a 327.101 $2 23
245 1 0 $a International Relations, Music and Diplomacy $h [electronic resource] : $b Sounds and Voices on the International Stage / $c edited by Frédéric Ramel, Cécile Prévost-Thomas.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a XVII, 297 p. 2 illus., 1 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a The Sciences Po Series in International Relations and Political Economy
505 0 $a 1. Introduction. Understanding Musical Diplomacies: Movements on the “Scenes” -- 2. Europe in Rome / Rome in Europe: Diplomacy as a Network of Cultural Exchanges -- 3. Eighteenth-Century Diplomats as Musical Agents -- 4. Targeting New Music in Postwar Europe: American Cultural Diplomacy in the Crafting of Art Music Avant-Garde Scenes -- 5. The Diplomatic Viol -- 6. The Diplomat's Music Test: Branding New and Old Diplomacy at the Beginnings of the Nineteenth and Twenty-First Centuries -- 7. Schaeffer, Boulez and the Everyday Diplomacies of French Decolonization -- 8. Negotiating the Pitch: For a Diplomatic A, at the Crossroads of Politics, Music, Science and Industry -- 9. Music, Diplomacy and International Solidarity: The Campaign for Miguel Angel Estrella (1977-1980) -- 10. The Eurovision Song Contest in the Musical Diplomacy of Authoritarian States -- 11. Music That Divides: The Case of Russian Musical Diplomacy in the Baltic States -- 12. Of Dreams and Desire: Diplomacy and Musical Nation Branding Since the Early Modern Period.
520 $a This volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of “musical diplomacies” and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena. Frédéric Ramel is Full Professor and Head of the Political Science Department at Sciences Po, Centre de Recherches Internationales, France. Cécile Prévost-Thomas is Associate Professor in Sociology of Music at the University Sorbonne Nouvelle - Paris 3, Centre de Recherche sur les Liens Sociaux, France.
650 0 $a International relations. $3 554886
650 0 $a Diplomacy. $3 649593
650 0 $a Music. $3 649088
650 0 $a Peace. $3 563174
650 0 $a Cultural policy. $3 593498
650 0 $a Civilization—History. $3 1254101
650 1 4 $a International Relations Theory. $3 1140677
650 2 4 $a Conflict Studies. $3 1105229
650 2 4 $a Cultural Policy and Politics. $3 1113859
650 2 4 $a Cultural History. $3 1106960
700 1 $a Ramel, Frédéric. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1289649
700 1 $a Prévost-Thomas, Cécile. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1289650
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319631622
776 0 8 $i Printed edition: $z 9783319631646
776 0 8 $i Printed edition: $z 9783319874883
830 0 $a The Sciences Po Series in International Relations and Political Economy $3 1259642
856 4 0 $u https://doi.org/10.1007/978-3-319-63163-9
912 $a ZDB-2-POS
912 $a ZDB-2-SXPI
950 $a Political Science and International Studies (SpringerNature-41174)
950 $a Political Science and International Studies (R0) (SpringerNature-43724)