國立虎尾科技大學 |

Emotion in Video Game Soundtracking

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Emotion in Video Game Soundtracking/ edited by Duncan Williams, Newton Lee.
其他作者:	Williams, Duncan.
面頁冊數:	X, 167 p. 37 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	User interfaces (Computer systems). -
電子資源:	https://doi.org/10.1007/978-3-319-72272-6
ISBN:	9783319722726

Emotion in Video Game Soundtracking
Emotion in Video Game Soundtracking[electronic resource] /edited by Duncan Williams, Newton Lee. - 1st ed. 2018. - X, 167 p. 37 illus.online resource. - International Series on Computer Entertainment and Media Technology,2364-947X. - International Series on Computer Entertainment and Media Technology,.

1 Welcome and Introduction from the Editors -- 2 Past: An overview of emotion as a parameter in music, definitions, and historical approaches -- 3 Present: Emotion in speech, singing, and sound effects -- 4 Present: Affectively-driven algorithmic composition -- 5 An auto-ethnographic approach to creating the emotional content of horror game soundtracking -- 6 Present: Brain Computer Music Interfacing (BCMI) -- 7 When the Soundtrack is the Game: from Audio-games to Gaming the Music -- 8 Motion Controllers, Sound, and Music in Video Games -- 9 Future: Repurposing music according to individual preferences for personalized soundtracks -- 10 Sounding the Story: Music in Videogame Cutscenes -- 11 The Impact of Multichannel Game Audio on the Quality and Enjoyment of Player Experience -- 12 Concluding remarks.

This book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with audio as found in the videogames industry. Soundtracking videogames presents a unique challenge compared to traditional composition (for example film music) in that the narrative of gameplay is non-linear – Player dependent actions can change the narrative and thus the emotional characteristics required in the soundtrack. Historical approaches to emotion measurement, and the musical feature mapping and music selection that might be used in video game soundtracking are outlined, before a series of cutting edge examples are given. These examples include algorithmic composition techniques, automated emotion matching from biosensors, motion capture techniques, emotionally-targeted speech synthesis and signal processing, and automated repurposing of existing music (for example from a players own library). The book concludes with some possibilities for the future.

ISBN: 9783319722726

Standard No.: 10.1007/978-3-319-72272-6doiSubjects--Topical Terms:

1253526
User interfaces (Computer systems).

LC Class. No.: QA76.9.U83

Dewey Class. No.: 005.437

Emotion in Video Game Soundtracking
LDR:03418nam a22004335i 4500 001 998362
003 DE-He213
005 20200629125434.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783319722726 $9 978-3-319-72272-6
024 7 $a 10.1007/978-3-319-72272-6 $2 doi
035 $a 978-3-319-72272-6
050 4 $a QA76.9.U83
050 4 $a QA76.9.H85
072 7 $a UYZG $2 bicssc
072 7 $a COM070000 $2 bisacsh
072 7 $a UYZG $2 thema
082 0 4 $a 005.437 $2 23
082 0 4 $a 4.019 $2 23
245 1 0 $a Emotion in Video Game Soundtracking $h [electronic resource] / $c edited by Duncan Williams, Newton Lee.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2018.
300 $a X, 167 p. 37 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a International Series on Computer Entertainment and Media Technology, $x 2364-947X
505 0 $a 1 Welcome and Introduction from the Editors -- 2 Past: An overview of emotion as a parameter in music, definitions, and historical approaches -- 3 Present: Emotion in speech, singing, and sound effects -- 4 Present: Affectively-driven algorithmic composition -- 5 An auto-ethnographic approach to creating the emotional content of horror game soundtracking -- 6 Present: Brain Computer Music Interfacing (BCMI) -- 7 When the Soundtrack is the Game: from Audio-games to Gaming the Music -- 8 Motion Controllers, Sound, and Music in Video Games -- 9 Future: Repurposing music according to individual preferences for personalized soundtracks -- 10 Sounding the Story: Music in Videogame Cutscenes -- 11 The Impact of Multichannel Game Audio on the Quality and Enjoyment of Player Experience -- 12 Concluding remarks.
520 $a This book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with audio as found in the videogames industry. Soundtracking videogames presents a unique challenge compared to traditional composition (for example film music) in that the narrative of gameplay is non-linear – Player dependent actions can change the narrative and thus the emotional characteristics required in the soundtrack. Historical approaches to emotion measurement, and the musical feature mapping and music selection that might be used in video game soundtracking are outlined, before a series of cutting edge examples are given. These examples include algorithmic composition techniques, automated emotion matching from biosensors, motion capture techniques, emotionally-targeted speech synthesis and signal processing, and automated repurposing of existing music (for example from a players own library). The book concludes with some possibilities for the future.
650 0 $a User interfaces (Computer systems). $3 1253526
650 0 $a Multimedia systems . $3 1253737
650 0 $a Computer games—Programming. $3 1256819
650 0 $a Music. $3 649088
650 0 $a Mathematics. $3 527692
650 1 4 $a User Interfaces and Human Computer Interaction. $3 669793
650 2 4 $a Media Design. $3 669577
650 2 4 $a Game Development. $3 1114505
650 2 4 $a Mathematics in Music. $3 885668
700 1 $a Williams, Duncan. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1289886
700 1 $a Lee, Newton. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 891832
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319722719
776 0 8 $i Printed edition: $z 9783319722733
776 0 8 $i Printed edition: $z 9783319891651
830 0 $a International Series on Computer Entertainment and Media Technology, $x 2364-947X $3 1263758
856 4 0 $u https://doi.org/10.1007/978-3-319-72272-6
912 $a ZDB-2-SCS
912 $a ZDB-2-SXCS
950 $a Computer Science (SpringerNature-11645)
950 $a Computer Science (R0) (SpringerNature-43710)