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Radio, Race, and Audible Difference ...
~
Blake, Art M.
Radio, Race, and Audible Difference in Post-1945 America = The Citizens Band /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Radio, Race, and Audible Difference in Post-1945 America/ by Art M. Blake.
Reminder of title:
The Citizens Band /
Author:
Blake, Art M.
Description:
XV, 92 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
United States—History. -
Online resource:
https://doi.org/10.1007/978-3-030-31841-3
ISBN:
9783030318413
Radio, Race, and Audible Difference in Post-1945 America = The Citizens Band /
Blake, Art M.
Radio, Race, and Audible Difference in Post-1945 America
The Citizens Band /[electronic resource] :by Art M. Blake. - 1st ed. 2019. - XV, 92 p.online resource.
1. America in Color: The Postwar Audible Spectrum -- 2. The Sounds of White Vulnerability -- 3. Mobilizing Black Technoculture -- 4. Queering the Spectrum from Radio to Local TV.
In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television. Covering the Puerto Rican migration to New York in the 1950s, the varying uses of CB radio by white and African American citizens in the 1970s, and the emergence of audible queerness, Art M. Blake attunes us to the sounds of race, mobility, and audible difference. As he argues, marginalized groups disrupted the postwar machine age by using new media technologies to make themselves heard.
ISBN: 9783030318413
Standard No.: 10.1007/978-3-030-31841-3doiSubjects--Topical Terms:
1254156
United States—History.
LC Class. No.: E171-183.9
Dewey Class. No.: 973
Radio, Race, and Audible Difference in Post-1945 America = The Citizens Band /
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1. America in Color: The Postwar Audible Spectrum -- 2. The Sounds of White Vulnerability -- 3. Mobilizing Black Technoculture -- 4. Queering the Spectrum from Radio to Local TV.
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In the second half of the twentieth century, new sounds began to reverberate across the United States. The voices of African-Americans as well as of women, Latinx, queer, and trans people broke through in social movements, street protests, and in media stories of political and social disruption. Postwar America literally sounded different. This book argues that new technologies and new mobilities sharpened American attention to these audibly coded identities, on the radio, on the streets and highways, in new music, and on television. Covering the Puerto Rican migration to New York in the 1950s, the varying uses of CB radio by white and African American citizens in the 1970s, and the emergence of audible queerness, Art M. Blake attunes us to the sounds of race, mobility, and audible difference. As he argues, marginalized groups disrupted the postwar machine age by using new media technologies to make themselves heard.
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