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Juri Lotman - Culture, Memory and Hi...
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Juri Lotman - Culture, Memory and History = Essays in Cultural Semiotics /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Juri Lotman - Culture, Memory and History/ edited by Marek Tamm.
Reminder of title:
Essays in Cultural Semiotics /
other author:
Tamm, Marek.
Description:
VI, 275 p. 1 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Culture—Study and teaching. -
Online resource:
https://doi.org/10.1007/978-3-030-14710-5
ISBN:
9783030147105
Juri Lotman - Culture, Memory and History = Essays in Cultural Semiotics /
Juri Lotman - Culture, Memory and History
Essays in Cultural Semiotics /[electronic resource] :edited by Marek Tamm. - 1st ed. 2019. - VI, 275 p. 1 illus.online resource.
1. Introduction: Juri Lotman’s Semiotic Theory of History and Cultural Memory -- 2.Translator's Preface -- Part I Culture -- 3.The Phenomenon of Culture -- 4.The "Contract" and "Self-surrender" as Archetypal Models of Culture -- 5 -- Toward a Theory of Cultural Interaction: The Semiotic Aspect -- 6.Culture as a Subject and its own Object -- 7. On the Dynamics of Culture -- 8. The Role of Art in the Dynamics of Culture -- Part II Memory -- 9. Memory in a Culturological Perspective -- 10. Cultural Memory -- 11. Some Thoughts on Typologies of Culture -- 12. The Symbol in the System of Culture -- Part III History -- 13. Clio at the Crossroads -- 14. A Divine Pronouncement or a Game of Chance? The Law-governed and the Accidental in the Historical Process -- 15. Technological Progress as a Culturological Problem -- 16. The Time of Troubles as a Cultural Mechanism: Toward a Typology of Russian Cultural History -- 17. Afterword: (Re)constructing the Drafts of Past.
This volume brings together a selection of Juri Lotman’s late essays, published between 1979 and 1995. While Lotman is widely read in the fields of semiotics and literary studies, his innovative ideas about history and memory remain relatively unknown. The articles in this volume, most of which are appearing in English for the first time, lay out Lotman’s semiotic model of culture, with its emphasis on mnemonic processes. Lotman’s concept of culture as the non-hereditary memory of a community that is in a continuous process of self-interpretation will be of interest to scholars working in cultural theory, memory studies and the theory of history.
ISBN: 9783030147105
Standard No.: 10.1007/978-3-030-14710-5doiSubjects--Topical Terms:
1253505
Culture—Study and teaching.
LC Class. No.: HM623
Dewey Class. No.: 306.01
Juri Lotman - Culture, Memory and History = Essays in Cultural Semiotics /
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1. Introduction: Juri Lotman’s Semiotic Theory of History and Cultural Memory -- 2.Translator's Preface -- Part I Culture -- 3.The Phenomenon of Culture -- 4.The "Contract" and "Self-surrender" as Archetypal Models of Culture -- 5 -- Toward a Theory of Cultural Interaction: The Semiotic Aspect -- 6.Culture as a Subject and its own Object -- 7. On the Dynamics of Culture -- 8. The Role of Art in the Dynamics of Culture -- Part II Memory -- 9. Memory in a Culturological Perspective -- 10. Cultural Memory -- 11. Some Thoughts on Typologies of Culture -- 12. The Symbol in the System of Culture -- Part III History -- 13. Clio at the Crossroads -- 14. A Divine Pronouncement or a Game of Chance? The Law-governed and the Accidental in the Historical Process -- 15. Technological Progress as a Culturological Problem -- 16. The Time of Troubles as a Cultural Mechanism: Toward a Typology of Russian Cultural History -- 17. Afterword: (Re)constructing the Drafts of Past.
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This volume brings together a selection of Juri Lotman’s late essays, published between 1979 and 1995. While Lotman is widely read in the fields of semiotics and literary studies, his innovative ideas about history and memory remain relatively unknown. The articles in this volume, most of which are appearing in English for the first time, lay out Lotman’s semiotic model of culture, with its emphasis on mnemonic processes. Lotman’s concept of culture as the non-hereditary memory of a community that is in a continuous process of self-interpretation will be of interest to scholars working in cultural theory, memory studies and the theory of history.
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