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Film and Counterculture in the 2011 Egyptian Uprising

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Film and Counterculture in the 2011 Egyptian Uprising/ by Amir Taha.
Author:	Taha, Amir.
Description:	XVII, 318 p. 36 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Motion pictures. -
Online resource:	https://doi.org/10.1007/978-3-030-68900-1
ISBN:	9783030689001

Film and Counterculture in the 2011 Egyptian Uprising
Taha, Amir.

Film and Counterculture in the 2011 Egyptian Uprising[electronic resource] /by Amir Taha. - 1st ed. 2021. - XVII, 318 p. 36 illus. in color.online resource.

1. Introduction -- 2. Counterculture as War Machine: Egypt 2011 -- 3. Film and Politics in Egypt -- 4. Countercultural Films -- 5. Conclusion.-.

This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?

ISBN: 9783030689001

Standard No.: 10.1007/978-3-030-68900-1doiSubjects--Topical Terms:

562481
Motion pictures.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.43

Film and Counterculture in the 2011 Egyptian Uprising
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505 0 $a 1. Introduction -- 2. Counterculture as War Machine: Egypt 2011 -- 3. Film and Politics in Egypt -- 4. Countercultural Films -- 5. Conclusion.-.
520 $a This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?
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