Motion pictures.
Overview
| Works: | 402 works in 15 publications in 15 languages | |
|---|---|---|
Titles
Animated subjects : = Globalization, media, and East Asian cultural imaginaries.
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(Language materials, manuscript)
Affective passages : = Emotion and affect in postwar West German culture.
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(Language materials, manuscript)
The Malady Lingers on : = The Abject and Contemporary Asian Horror Cinema.
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(Language materials, manuscript)
Historical Trauma : = Literary and Testimonial Responses to Hiroshima.
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(Language materials, manuscript)
Hegemonic Masculinity in David Rabe's the Vietnam Plays = = David Rabe'in Vietnam Oyunlari'nda Hegemonik Erkeklik.
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(Language materials, manuscript)
Performing Against Annihilation = Identity and Consciousness in J.R.R. Tolkien, Richard Wagner and George R.R. Martin /
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(Language materials, printed)
The Forgotten Victims of Sexual Violence in Film, Television and New Media = Turning to the Margins /
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Onscreen Allusions to Shakespeare = International Films, Television, and Theatre /
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(Language materials, printed)
Geography of Horror = Spaces, Hauntings and the American Imagination /
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(Language materials, printed)
Realität in Serie = Realitätsbehauptungen in zeitgenössischen Fernsehserien /
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(Language materials, printed)
Einsamkeit in Serie = Televisuelle Ausdrucksformen moderner Vereinsamung /
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(Language materials, printed)
The Making and Mirroring of Masculine Subjectivities = Gender, Affect, and Ethics in Modern World Narratives /
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(Language materials, printed)
Sound Practices in the Global South = Co-listening to Resounding Plurilogues /
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The Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey
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(Language materials, printed)
Interactional Approach to Cinematic Discourse = How Do Woody Allen’s Characters Talk? /
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Neo-Victorian Things = Re-imagining Nineteenth-Century Material Cultures in Literature and Film /
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(Language materials, printed)
„Beyond the Wall”: Game of Thrones aus interdisziplinärer Perspektive
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(Language materials, printed)
Feminist Literary and Cultural Criticism = An Analytical Approach to Space /
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Dialogkultur = Dialog sein – Dialog führen – dialogische Beziehungen /
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(Language materials, printed)
Cultural Representations of Gender Vulnerability and Resistance = A Mediterranean Approach to the Anglosphere /
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(Language materials, printed)
Atmosphere, Architecture, Cinema = Thematic Reflections on Ambiance and Place /
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(Language materials, printed)
Untertitel im Kinderfernsehen = Perspektiven aus Translationswissenschaft und Verständlichkeitsforschung /
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(Language materials, printed)
Videobasiertes Lernen – Filme in der Aus- und Weiterbildung = Vom virtuellen Erleben zur Interaktion. Eine methodische Handreichung /
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(Language materials, printed)
Monstrous Possibilities = The Female Monster in 21st Century Screen Horror /
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(Language materials, printed)
Australian Westerns in the Fifties = Kangaroo, Hopalong Cassidy on Tour, and Whiplash /
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(Language materials, printed)
Transformation of Contemporary Film Genre = The Aesthetics of Chinese Mainland Mainstream Cinema /
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(Language materials, printed)
Pandemie im Film = Religiöse und ästhetische Transformationen in der Populärkultur /
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(Language materials, printed)
Discourses of Migration in Documentary Film = Translating the Real to the Reel /
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(Language materials, printed)
Performative Figures of Queer Masculinity = A Media History of Film and Cinema in Germany Until 1945 /
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(Language materials, printed)
Mediale Landschaftskonstruktionen = Die Darstellung des (sub)urbanen Lebens am Beispiel US-amerikanischer Serien /
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(Language materials, printed)
Empathie und Parteilichkeit gegenüber fiktionalen Figuren in Videospielen = Eine Analyse von narrativen Strategien am Beispiel von “The Last of Us Part II” /
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(Language materials, printed)
Verschwörungsideologien in Filmen und Serien = Erklärungsansätze und Chancen zur Intervention /
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(Language materials, printed)
Interkulturelle Räume im Spielfilm = Eine filmgeographische Analyse am Beispiel von New York City /
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(Language materials, printed)
Methoden der Filmsoziologie = Exemplarische Analysen am Beispiel des Films CAPOTE (2005) /
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(Language materials, printed)
Amputation in Literature and Film = Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" /
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(Language materials, printed)
Visual Culture Wars at the Borders of Contemporary China = Art, Design, Film, New Media and the Prospects of “Post-West” Contemporaneity /
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(Language materials, printed)
From Telenovelas to Netflix: Transnational, Transverse Television in Latin America
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(Language materials, printed)
Victorian Surfaces in Nineteenth-Century Literature and Culture = Skin, Silk, and Show /
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(Language materials, printed)
Films of Arab Loutfi and Heiny Srour = Studies in Palestine Solidarity Cinema /
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(Language materials, printed)
An Anthropology of Gender Variance and Trans Experience in Naples = Beauty in Transit /
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(Language materials, printed)
In Wirklichkeit Animation... = Beiträge zur deutschsprachigen Animationsforschung /
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(Language materials, printed)
Post-Digital, Post-Internet Art and Education = The Future is All-Over /
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(Language materials, printed)
Transdisziplinäre Begegnungen zwischen postdigitaler Kunst und Kultureller Bildung = Perspektiven aus Wissenschaft, Kunst und Vermittlung /
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(Language materials, printed)
(Re-)Imagining New Media = Techno-Imaginaries around 2000 and the case of "Piazza virtuale" (1992) /
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(Language materials, printed)
Animating Unpredictable Effects = Nonlinearity in Hollywood’s R&D Complex /
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(Language materials, printed)
Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain = Curious Beasties /
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Heightened Genre and Women's Filmmaking in Hollywood = The Rise of the Cine-fille /
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Ways of Seeing in the Neoliberal State = A Controversial Play and Its Contexts /
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(Language materials, printed)
Cinematic Histospheres = On the Theory and Practice of Historical Films /
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(Language materials, printed)
Investigating Stranger Things = Upside Down in the World of Mainstream Cult Entertainment /
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(Language materials, printed)
Persuasion durch räumliche Präsenz = Eine Systematisierung und empirische Prüfung der persuasiven Mechanismen /
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Generations of Jewish Directors and the Struggle for America’s Soul = Wyler, Lumet, and Spielberg /
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Paul McCartney and His Creative Practice = The Beatles and Beyond /
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(Language materials, printed)
Comparative Cinema = Late and Last Things in Literature and Film /
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(Language materials, printed)
Amputation in Literature and Film = Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" /
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(Language materials, printed)
Affektive Medienpraktiken = Emotionen, Körper, Zugehörigkeiten im Reality TV /
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(Language materials, printed)
Television Production in Transition = Independence, Scale, Sustainability and the Digital Challenge /
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Mapping Precarity in Contemporary Cinema and Television = Chronotopes of Anxiety, Depression, Expulsion/Extinction /
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Transnational Screen Culture in Scandinavia = Mediating Regional Space and Identity in the Øresund Region /
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(Language materials, printed)
Shakespeare's Storytelling = An Introduction to Genre, Character, and Technique /
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(Language materials, printed)
Kinematografie der Erinnerung = Band 2: Den Zweiten Weltkrieg erzählen /
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Adaptation and the New Art Film = Remaking the Classics in the Twilight of Cinema /
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Strangling Aunty: Perilous Times for the Australian Broadcasting Corporation
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(Language materials, printed)
Television Drama in the Age of Streaming = Transnational Strategies and Digital Production Cultures at the NRK /
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(Language materials, printed)
Violence Against LGBTQ+ Persons = Research, Practice, and Advocacy /
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(Language materials, printed)
Fernsehwissenschaft und Serienforschung = Theorie, Geschichte und Gegenwart (post-)televisueller Serialität /
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Transnational German Cinema = Encountering Germany Through Film and Events /
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(Language materials, printed)
Bildung nach reaktionären Revolutionen = Was sich von der TV Serie The Handmaid’s Tale lernen lässt /
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(Language materials, printed)
Reorienting Chinese Stars in Global Polyphonic Networks = Voice, Ethnicity, Power /
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(Language materials, printed)
Die Doppelmoral des medialen ethnischen Humors = Satire, Minstrel- und Ethno-Comedy im internationalen Vergleich /
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Queering Memory and National Identity in Transcultural U.S. Literature and Culture
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(Language materials, printed)
Cinema and the Algerian War of Independence = Culture, Politics, and Society /
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Class on Screen = The Global Working Class in Contemporary Cinema /
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Women in the International Film Industry = Policy, Practice and Power /
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(Language materials, printed)
The Palgrave Handbook of Magical Realism in the Twenty-First Century
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(Language materials, printed)
British Film Music = Musical Traditions in British Cinema, 1930s–1950s /
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(Language materials, printed)
Shakespeare’s Fans = Adapting the Bard in the Age of Media Fandom /
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Neo-Victorian Madness = Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media /
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Cinema of the Arab World = Contemporary Directions in Theory and Practice /
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DreamWorks Animation = Intertextuality and Aesthetics in Shrek and Beyond /
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Affirmative Aesthetics and Wilful Women = Gender, Space and Mobility in Contemporary Cinema /
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The Palgrave Handbook of Audiovisual Translation and Media Accessibility
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(Language materials, printed)
Quentin Tarantino and Film Theory = Aesthetics and Dialectics in Late Postmodernity /
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The technique of film and video editing = history, theory, and practice /
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Great flicks = scientific studies of cinematic creativity and aesthetics /
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How to read a film : = movies, media, and beyond : art, technology, language, history, theory /
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From Pinewood to Hollywood = British filmmakers in American cinema, 1910-1969 /
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European cinema in motion = migrant and diasporic film in contemporary Europe /
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Film festivals = culture, people, and power on the global screen /
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The "femme" fatale in Brazilian cinema : = challenging Hollywood norms /
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Television and British cinema : = convergence and divergence since 1990 /
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Minding movies : = observations on the art, craft, and business of filmmaking
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Plant horror = approaches to the monstrous vegetal in fiction and film /
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Contemporary cinema and 'old age' = gender and the silvering of stardom /
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Cognitive approaches to German historical film = seeing is not believing /
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Discovering Short Films = The History and Style of Live-Action Fiction Shorts /
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Provocative Plastics = Their Value in Design and Material Culture /
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Künstlerische Verfahren des Films aus psychologischer Sicht = Zum Wirkungspotenzial des Spielfilms /
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Peruvian Cinema of the Twenty-First Century = Dynamic and Unstable Grounds /
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Barra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam’s The Mummy
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Exploring the Spatiality of the City across Cultural Texts = Narrating Spaces, Reading Urbanity /
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Queer Epistemologies in Education = Luso-Hispanic Dialogues and Shared Horizons /
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(Language materials, printed)
Cultural Economy and Television in Jamaica and Ghana = #decolonization2point0 /
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Screening Twentieth Century Europe = Television, History, Memory /
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Explorations in Cinema through Classical Indian Theories = New Interpretations of Meaning, Aesthetics, and Art /
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Kinematografie der Erinnerung = Band 1: Filme als kollektives Gedächtnis verstehen /
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Pop with Gods, Shakespeare, and AI = Popular Film, (Musical) Theatre, and TV Drama /
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Documentary Film Festivals Vol. 2 = Changes, Challenges, Professional Perspectives /
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European Cinema in the Twenty-First Century = Discourses, Directions and Genres /
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Faust-Ikonologie = Stoff und Figur in der Bildkultur des 19. Jahrhunderts /
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Pedagogical Explorations in a Posthuman Age = Essays on Designer Capitalism, Eco-Aestheticism, and Visual and Popular Culture as West-East Meet /
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Television in Turkey = Local Production, Transnational Expansion and Political Aspirations /
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Rekonstruktionen von Subjektnormen und Subjektivierungen = Eine qualitative Studie über Lifestyle-Normen und deren Relevanz für YouTuber /
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Translated and Visiting Russian Theatre in Britain, 1945–2015 = A "Russia of the Theatrical Mind"? /
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Gender, Media and Voice = Communicative Injustice and Public Speech /
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The Spy who impressed me = Zur kollektiven Wirkung und kulturellen Bedeutung von James Bond-Filmen /
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Chinese Culture in the 21st Century and its Global Dimensions = Comparative and Interdisciplinary Perspectives /
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Teen TV = Repräsentationen, Lesarten und Produktionsweisen aktueller Jugendserien /
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Performative Figuren queerer Männlichkeit = Eine Mediengeschichte von Film und Kino in Deutschland bis 1945 /
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Climate Change, Hazards and Adaptation Options = Handling the Impacts of a Changing Climate /
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Urban Film and Everyday Practice = Bridging Divisions in Johannesburg /
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Contemporary Women's Gothic Fiction = Carnival, Hauntings and Vampire Kisses /
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Hybrid Practices in Moving Image Design = Methods of Heritage and Digital Production in Motion Graphics /
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Applied Discourse Analysis = Popular Culture, Media, and Everyday Life /
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Plant Horror = Approaches to the Monstrous Vegetal in Fiction and Film /
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The State of Post-Cinema = Tracing the Moving Image in the Age of Digital Dissemination /
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Lasting Screen Stars = Images that Fade and Personas that Endure /
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Screening the Sixties = Hollywood Cinema and the Politics of Memory /
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The Shawshank Experience = Tracking the History of the World’s Favorite Movie /
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Australian Film Festivals = Audience, Place, and Exhibition Culture /
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Transnational Horror Cinema = Bodies of Excess and the Global Grotesque /
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Tragic Time in Drama, Film, and Videogames = The Future in the Instant /
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The Queer Greek Weird Wave = Ethics, Politics and the Crisis of Meaning /
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Pixar's America = The Re-Animation of American Myths and Symbols /
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Screen Adaptations and the Politics of Childhood = Transforming Children's Literature into Film /
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Performing Place in French and Italian Queer Documentary Film = Space and Proust's Lieu Factice /
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Locating Classical Receptions on Screen = Masks, Echoes, Shadows /
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An Investigative Cinema = Politics and Modernization in Italian, French, and American Film /
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Televising Restoration Spain = History and Fiction in Twenty-First-Century Costume Dramas /
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Arab Film and Video Manifestos = Forty-Five Years of the Moving Image Amid Revolution /
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Contemporary Gothic Drama = Attraction, Consummation and Consumption on the Modern British Stage /
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The Dystopian Imagination in Contemporary Spanish Literature and Film
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The Future of Audiences = A Foresight Analysis of Interfaces and Engagement /
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Cultural Diversity in the French Film Industry = Defending the Cultural Exception in a Digital Age /
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European Film and Television Co-production = Policy and Practice /
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Shakespearean Celebrity in the Digital Age = Fan Cultures and Remediation /
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Drones and the Creative Industry = Innovative Strategies for European SMEs /
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American Televangelism and Participatory Cultures = Fans, Brands, and Play With Religious "Fakes" /
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Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
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Movie Making as Critical Pedagogy = Conscientization through Visual Storytelling /
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Researching Newsreels = Local, National and Transnational Case Studies /
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Der lange Arm der Ufa = Filmische Bilderwanderung zwischen Deutschland, Japan und China 1923-1949 /
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On Replacement = Cultural, Social and Psychological Representations /
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Independent Television Production in the UK = From Cottage Industry to Big Business /
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Empathetic Space on Screen = Constructing Powerful Place and Setting /
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Storytelling Industries = Narrative Production in the 21st Century /
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Neo-Victorianism on Screen = Postfeminism and Contemporary Adaptations of Victorian Women /
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Local Movie Supply in the German Motion Picture Industry = An Industrial Organization Perspective /
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Balzac Reframed = The Classical and Modern Faces of Éric Rohmer and Jacques Rivette /
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Sensorische Regime = Die wahrnehmungsformierende Kraft des Films /
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Philosophy in Stan Brakhage's Dog Star Man = World, Metaphor, Interpretation /
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Wahlwerbespots zur Bundestagswahl 2017 = Analysen und Anschlussdiskurse über parteipolitische Kurzfilme in Deutschland /
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In Search of Marie-Antoinette in the 1930s = Stefan Zweig, Irving Thalberg, and Norma Shearer /
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Displacements = Reading Space and Time in Moving Image Installations /
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Memory, Identity and Cognition: Explorations in Culture and Communication
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Oscar Wilde's Aesthetic Education = The Oxford Classical Curriculum /
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Hong Kong Dark Cinema = Film Noir, Re-conceptions, and Reflexivity /
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Popular Music in the Nostalgia Video Game = The Way It Never Sounded /
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Gay Liberation to Campus Assimilation = Early Non-Heterosexual Student Organizing at Midwestern Universities /
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Medienraum Diaspora = Verortungen zeitgenössischer iranischer Diasporafilme /
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Japanese Influence on American Children's Television = Transforming Saturday Morning /
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Trauma and Disability in Mad Max = Beyond the Road Warrior’s Fury /
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The Afterlife of Texts in Translation = Understanding the Messianic in Literature /
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Online Film Production in China Using Blockchain and Smart Contracts = The Development of Collaborative Platforms for Emerging Creative Talents /
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Revisiting the Toolbox of Discourse Studies = New Trajectories in Methodology, Open Data, and Visualization /
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The Myth of Colorblindness = Race and Ethnicity in American Cinema /
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Topografie des Laiendarsteller-Diskurses = Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm /
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Gatekeeping in the Evolving Business of Independent Film Distribution
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The Development of Popular Music Function in Film = From the Birth of Rock ‘n’ Roll to the Death of Disco /
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Narratives of Hurricane Katrina in Context = Literature, Film and Television /
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Through the Black Mirror = Deconstructing the Side Effects of the Digital Age /
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Anamorphic Authorship in Canonical Film Adaptation = A Case Study of Shakespearean Films /
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The Interruption of Heteronormativity in Higher Education = Critical Queer Pedagogies /
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Reading Shakespeare in the Movies = Non-Adaptations and Their Meaning /
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Narcissism and Selfhood in Medieval French Literature = Wounds of Desire /
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Race, Nation and Gender in Modern Italy = Intersectional Representations in Visual Culture /
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