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Screening the Tortured Body = The Cinema as Scaffold /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Screening the Tortured Body/ edited by Mark de Valk.
其他題名:	The Cinema as Scaffold /
其他作者:	de Valk, Mark.
面頁冊數:	XVII, 342 p. 25 illus., 17 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Motion pictures. -
電子資源:	https://doi.org/10.1057/978-1-137-39918-2
ISBN:	9781137399182

Screening the Tortured Body = The Cinema as Scaffold /
Screening the Tortured BodyThe Cinema as Scaffold /[electronic resource] :edited by Mark de Valk. - 1st ed. 2016. - XVII, 342 p. 25 illus., 17 illus. in color.online resource.

SECTION I – STATE EVISCERATION/TORTURED FLESH -- 1. Tortured Spectators: Massacred and Mucosal – Patricia MacCormack -- 2. Torture Porn: The American Sadistic Disposition in the Post 9/11 Horror Genre – Aaron Kerner -- 3. Discipline…But Punish!: Foucault, Agamben and Torture Porn’s Thanatopolitical Scaffold – Xavier Aldana Reyes -- 4. The Expectational Body: The Becoming of the Tortured Vampire Horde in Daybreakers – Simon Bacon -- 5. An Apology for French Torturers: L’Ennemi intime – Nicole Beth Wallenbrock -- SECTION II – THE SUBJUGATED BODY-POLITIC AS SPECTACLE -- 6. The Ideological Purpose of Torture: Artur London’s Nightmare of Reality in L’aveu/The Confession (Costa-Gavras, 1970) – Susan Hayward -- 7. Mr. Stone Goes To Washington: JFK 2.4 – Mark de Valk -- 8. Giorgio Agamben Meets the Wachowskis: The State of Exception in V for Vendetta (James McTeigue, 2006) – Melissa M. Jacques -- 9. Modes of Silence and Resistance: Chilean Documentary and Gender Torture – Lisa DiGiovani -- SECTION III – FRAMING SPECTATOR RECEPTION OF STATE RETRIBUTION -- 10. Torture Documentaries and Taxi To The Dark Side (Alex Gibney, 2007) – Julia Lesage -- 11. Zero Dark Thirty: A Filmmaker’s Notion – Larra Anderson -- 12. Hypermediacy, Embodiment and Spectatorship in Brian De Palma’s Redacted – Calvin Fagan -- 13. Enemy of the State: Framing the Political Assassin – Shane O’Sullivan -- 14. “She’s a Killer”: The Image of the Women of Zero Dark Thirty.Dorothea Olkowski.

Inspired by Michel Foucault’s examination of state subjugation and control, this book considers post-structuralist notions of the ‘political technology of the body’ and 'the spectacle of the scaffold' as a means to analyse cinematic representations of politically-motivated persecution and bodily repression. Through a critique of sovereign power and its application of punishment ‘for transgressions against the state’, the collected works, herein, assess the polticised-body via a range of cinematic perspectives. Imagery, character construction and narrative devices are examined in their account of hegemonic-sanctioned torture and suppression as a means to a political outcome. Screening The Tortured Body: The Cinema as Scaffoldelicits philosophical and cultural accounts of the ‘retrained’ body to deliberate on a range of politicised films and filmmakers whose narratives and mise-en-scène techniques critique corporeal subjugation by authoritarian factions.

ISBN: 9781137399182

Standard No.: 10.1057/978-1-137-39918-2doiSubjects--Topical Terms:

562481
Motion pictures.

LC Class. No.: PN1993-1999

Dewey Class. No.: 791.4301

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