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British Film Music = Musical Traditi...
~
Mazey, Paul.
British Film Music = Musical Traditions in British Cinema, 1930s–1950s /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
British Film Music/ by Paul Mazey.
Reminder of title:
Musical Traditions in British Cinema, 1930s–1950s /
Author:
Mazey, Paul.
Description:
XII, 213 p. 31 illus.online resource. :
Contained By:
Springer Nature eBook
Subject:
Motion pictures. -
Online resource:
https://doi.org/10.1007/978-3-030-33550-2
ISBN:
9783030335502
British Film Music = Musical Traditions in British Cinema, 1930s–1950s /
Mazey, Paul.
British Film Music
Musical Traditions in British Cinema, 1930s–1950s /[electronic resource] :by Paul Mazey. - 1st ed. 2020. - XII, 213 p. 31 illus.online resource. - Palgrave Studies in Audio-Visual Culture,2634-6354. - Palgrave Studies in Audio-Visual Culture,.
Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion. .
This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection. .
ISBN: 9783030335502
Standard No.: 10.1007/978-3-030-33550-2doiSubjects--Topical Terms:
562481
Motion pictures.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.43
British Film Music = Musical Traditions in British Cinema, 1930s–1950s /
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Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion. .
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This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection. .
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