語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The Maternal Imagination of Film and...
~
Bliss, Lauren.
The Maternal Imagination of Film and Film Theory
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Maternal Imagination of Film and Film Theory/ by Lauren Bliss.
作者:
Bliss, Lauren.
面頁冊數:
X, 183 p.online resource. :
Contained By:
Springer Nature eBook
標題:
Culture and Gender. -
電子資源:
https://doi.org/10.1007/978-3-030-45897-3
ISBN:
9783030458973
The Maternal Imagination of Film and Film Theory
Bliss, Lauren.
The Maternal Imagination of Film and Film Theory
[electronic resource] /by Lauren Bliss. - 1st ed. 2020. - X, 183 p.online resource.
Introduction: Pregnant Illusions and the Natural Body -- Ch1 Conceiving the Cinematic Body -- Ch2 The Witchcraft of Cinema -- Ch3 Pregnant Illusions: Natural Magic and the Imagination -- Ch4 Sound and Vision: The Cinematic Figuration of the Virgin Mary -- Ch5 Conceiving the Cinematic Body -- Ch6 The Pregnancy of the Cinematic Public Sphere.
This book challenges common sense understandings of the unconscious effects of cinema and visual culture. It explores the castrating power of the early modern witch and the historical belief that pregnant women could manipulate and distort body image as figurative analogies for feminist theories of objectification and the male gaze. Through developing this history as an impure but lively analogy, this book serves as a provocation against the dominant imagining of objectification. It offers innovative analyses of a wide-ranging selection of films and topics including Joyce Wieland’s Water Sark (1964) and its resonance with the works of John Cage and Stan Brakhage; the documentary Histoires d’A (History of Abortion, 1973), which contributed to the successful legalisation of abortion in France; the Hong Kong horror film Dumplings (Jiaozi, 餃子 2004), where foetal cannibalism serves up an image of censorship; and the dual productions The Book of Mary (Le livre de Marie) and Hail Mary (Je vous salue, Marie, 1985) by Anne-Marie Miéville and Jean-Luc Godard that figure a self-reproducing virgin who hears herself while remaining a virgin, unseen.
ISBN: 9783030458973
Standard No.: 10.1007/978-3-030-45897-3doiSubjects--Topical Terms:
1117475
Culture and Gender.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4301
The Maternal Imagination of Film and Film Theory
LDR
:02866nam a22003975i 4500
001
1021899
003
DE-He213
005
20200903145702.0
007
cr nn 008mamaa
008
210318s2020 gw | s |||| 0|eng d
020
$a
9783030458973
$9
978-3-030-45897-3
024
7
$a
10.1007/978-3-030-45897-3
$2
doi
035
$a
978-3-030-45897-3
050
4
$a
PN1993-1999
072
7
$a
APFA
$2
bicssc
072
7
$a
PER004000
$2
bisacsh
072
7
$a
ATFA
$2
thema
082
0 4
$a
791.4301
$2
23
100
1
$a
Bliss, Lauren.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1317592
245
1 4
$a
The Maternal Imagination of Film and Film Theory
$h
[electronic resource] /
$c
by Lauren Bliss.
250
$a
1st ed. 2020.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
X, 183 p.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Introduction: Pregnant Illusions and the Natural Body -- Ch1 Conceiving the Cinematic Body -- Ch2 The Witchcraft of Cinema -- Ch3 Pregnant Illusions: Natural Magic and the Imagination -- Ch4 Sound and Vision: The Cinematic Figuration of the Virgin Mary -- Ch5 Conceiving the Cinematic Body -- Ch6 The Pregnancy of the Cinematic Public Sphere.
520
$a
This book challenges common sense understandings of the unconscious effects of cinema and visual culture. It explores the castrating power of the early modern witch and the historical belief that pregnant women could manipulate and distort body image as figurative analogies for feminist theories of objectification and the male gaze. Through developing this history as an impure but lively analogy, this book serves as a provocation against the dominant imagining of objectification. It offers innovative analyses of a wide-ranging selection of films and topics including Joyce Wieland’s Water Sark (1964) and its resonance with the works of John Cage and Stan Brakhage; the documentary Histoires d’A (History of Abortion, 1973), which contributed to the successful legalisation of abortion in France; the Hong Kong horror film Dumplings (Jiaozi, 餃子 2004), where foetal cannibalism serves up an image of censorship; and the dual productions The Book of Mary (Le livre de Marie) and Hail Mary (Je vous salue, Marie, 1985) by Anne-Marie Miéville and Jean-Luc Godard that figure a self-reproducing virgin who hears herself while remaining a virgin, unseen.
650
2 4
$a
Culture and Gender.
$3
1117475
650
1 4
$a
Film Theory.
$3
1108149
650
0
$a
Gender.
$3
1214940
650
0
$a
Culture.
$3
556041
650
0
$a
Motion pictures.
$3
562481
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030458966
776
0 8
$i
Printed edition:
$z
9783030458980
776
0 8
$i
Printed edition:
$z
9783030458997
856
4 0
$u
https://doi.org/10.1007/978-3-030-45897-3
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入