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3D Cinematic Aesthetics and Storytelling
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SpringerLink (Online service)
3D Cinematic Aesthetics and Storytelling
Record Type:
Language materials, printed : Monograph/item
Title/Author:
3D Cinematic Aesthetics and Storytelling/ by Yong Liu.
Author:
Liu, Yong.
Description:
XIV, 217 p. 21 illus., 14 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Motion pictures. -
Online resource:
https://doi.org/10.1007/978-3-319-72742-4
ISBN:
9783319727424
3D Cinematic Aesthetics and Storytelling
Liu, Yong.
3D Cinematic Aesthetics and Storytelling
[electronic resource] /by Yong Liu. - 1st ed. 2018. - XIV, 217 p. 21 illus., 14 illus. in color.online resource.
This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D’s spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. .
ISBN: 9783319727424
Standard No.: 10.1007/978-3-319-72742-4doiSubjects--Topical Terms:
562481
Motion pictures.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4
3D Cinematic Aesthetics and Storytelling
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This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D’s spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. .
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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